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This morning, I gave a talk titled “Religion?” at the Unitarian Universalist Church of the Restoration on Stenton Avenue in Northwest Philadelphia.  I discuss being at a workshop with the feminist witch Starhawk, my understanding of the differences between religion and spirituality, and how being raised secular enabled me to write my novel THEY, a biblical tale of secret genders (Adelaide Books — New York/Lisbon).

You can see my words below on the YouTube video or read the talk below that.

 

 

Religion?

Some months ago, my partner, Barbara, and I were attending a nearby workshop with the feminist witch Starhawk.  At dinner I was sitting across from Starhawk when she was talking about the liberal theologians that she works with. A woman sitting next to me said that religious people are part of the problem.  She mentioned that religious people elected you know who.

I replied that it is true that religious people did put you know who in office but that they were CONSERVATIVE religious people and that there are plenty of liberal religious people.

Suddenly it was as if I was looking at myself from the outside:  Really, you’re defending religion? a voice hissed skeptically.  Maybe it was the ghost of my card-carrying atheist bible burning mother.  Perhaps it was the voice of my younger self that pretty much happily ignored all things religious.

In any event, the voice was so strong that I stopped defending liberal religions and went back to eating my dinner.

Five years ago, or so, when I became a member of this congregation, I recognized that I had found a religion that fit my values.  I knew that coming here worked for me – and that my partner and I love being part of the community here.  In fact, Barbara already knew many of the people here because of her job at the Mt. Airy post office, which she is now retired from. And we had a few long-time friends here such as the multi-talented Jane Hulting who many of you know as our music director.  Jane rescued us during a hard time and became our yoga instructor.  We are now taking qigong with Jane, and I still consider her my spiritual teacher.

But having been raised secular, a part of me was still wondering what religion was and where I fit into it. Of course, the Unitarian Universalists (or UUs as we are often called) encourage freedom of thought and value reading as evidenced by our well-known book sales.  And, of course, we came to a tradition that is welcoming of the LGBTQ community.  When I initially expressed surprise to my partner that the congregation was so open minded, she replied that we wouldn’t be here otherwise. Right again.

I’m sure this all factored into my novel THEY, a biblical tale of secret genders which I wrote about five years ago and which was published by Adelaide Books.  In fact, as I mentioned at a recent reading, I probably would not have been able to write that book had I not been raised secular. In other words, had I been raised to regard the Bible as, well, Gospel rather than myth and story and had that Gospel instructed me to hate myself then I would had justifiably left and avoided religion for the rest of my life.  I know plenty of people who have had this experience and believe me, I do understand.

So, I was still left wondering what religion was all about – and why I am drawn to it. Then a while ago, I heard fellow member Wayne Boyd talk about the difference between religion and spirituality and what being a member of this congregation means to him.  He talked about the rules of religion being on the outside of him and spiritual development being on the inside. I sat in the pew and thought “Aha.”

A crucial piece of the puzzle fell into place.religion

For many reasons I have never cared for rules. And my early self-destructiveness aside, my adolescent 1970s motto that “rules are made to be broken” served me well: particularly in coming out as a lesbian in my early twenties and in becoming a creative writer – a field in which rules really are meant to be broken.

But in the spiritual journey of my inner self, I have come to value myself and others as important entities on equal footing. This is a value that I have long held, but in this UU culture where the first principle is — The inherent worth and dignity of every person – I value and believe in myself even more and that means that I value and believe in each one of you even more.

In my UU journey, religion must certainly mean something as different to me as it does to each one of you.  In fact, I think difference is a big part of what religion means to me.  And so, I go deeper into myself, through my yoga practice and through my Buddhist meditation — and through being a member of this community.

Is that religion?

 

Namaste

 

THEY, a biblical tale of secret genders is available online, through your local bookstore or library.

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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Amazon THEY

Adelaide Books (New York and Lisbon)/ March 11, 2018/  0-9995164-3-4

 

Janet Mason has a storyteller’s gift, weaving rich imagery with provocative twists to create a world where gender is as complex and fluid as the emotional bond between twins. With its Biblical, Pagan, fantastical and modernist roots, THEY is not easily categorized – and even harder to put down.

Susan Gore, PhD, Editor, Coming Out in Faith: Voices of LGBTQ Unitarian Universalists

 

 

“Whoever heard of a divine conception?”

Tamar rolled her eyes. She looked skeptically at her twin.

THEY, a biblical tale of secret genders is a novel written by Pushcart nominee Janet Mason.  It is now available on Amazon  and will be available in bookstores soon.

In THEY, we met Tamar from the Hebrew Bible. Tamar lives as a hermit in the desert, is content with her life and is happily barren. She is attached to her pet camel. Her aversion to goat sacrifices becomes so strong that it prompts her to become a vegetarian. Tamar has a twin sister Tabitha who becomes pregnant after seducing a young muscular shepherd. Tamar plots with Tabitha to trick Judah (a patriarch from the Bible) into believing that the baby is his so that she can have status in society rather than being burnt at the stake. Tabitha gives birth to twins.  Tamar becomes attached to the children (born intersex), who call her auntie, and follows their line of intersex twins.

THEY is written for both the reader with and without a biblical background. The reader without a background will have an interesting romp through the Hebrew Bible and the New Testament. THEY is also influenced by other spiritual traditions and laced with humor. The reader who is versed in biblical history will have an entertaining read and a new spin on an old story. The novel is strongly influenced by the Gnostic Gospels and by the teachings of Buddhism and Hinduism.   

THEY is a groundbreaking work that will prove to be lifesaving for those in the LGBTQ community and enlightening and liberating to others.

Janet Mason is an award-winning creative writer, teacher, radio commentator, and blogger for The Huffington Post. She records commentary for This Way Out, the internationally-aired LGBTQ radio syndicate based in Los Angeles. Her book, Tea Leaves, a memoir of mothers and daughters, published by Bella Books in 2012, was chosen by the American Library Association for its 2013 Over the Rainbow List. Tea Leaves also received a Goldie Award. She is the author of three poetry books.

THEY, a biblical tale of secret genders, is now available on Amazon

The Philadelphia launch of THEY will be held at the Big Blue Marble Bookstore in the Mt. Airy neighborhood.  Stay tuned for more details.

Following is an excerpt of THEY — The Descent of Ishtar with Asushunamir the two spirited, intersexed, trickster — performed at the Unitarian Universalist Church of the Restoration on Stenton Avenue in Philadelphia.

 

 

Click here for more YouTube videos and text excerpts of THEY, a biblical tale of secret genders.

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In this post, I wanted to give you a preview of my novel THEY, a biblical tale of secret genders.  Three sections have been presented at the Unitarian Universalist Church of the Restoration (in Philadelphia).  The YouTube videos are below.  Short fiction excerpts of the novel have been published in several journals.  And one journal nominated a section for the Pushcart Prize.  The links to the journals are below the YouTube videos.

THEY is a novel based on the Bible (with some creative interpretations) and has gender fluid, intersex characters.  It also includes some strong female and gentle men characters who act on their passions and, in some instances, live as LGBT people.  But the novel (which also includes some carry overs from goddess culture) begins somewhere in the time period of 800 to 600 bce (before the common era) and that was definitely before labels!

The three YouTube videos below are excerpts from THEY  are in consecutive order from past to present.

 

 

 

 

You can also read an excerpt, written as standalone short fiction, in the online literary journal BlazeVOX15

Another excerpt is in the recent issue of Sinister Wisdom — the fortieth anniversary issue

A different excerpt is also in the aaduna literary magazine  (this excerpt was nominated for a Pushcart Prize)

Text excerpts from THEY and my introductions presented at UUCR (Unitarian Universalist Church of the Restoration) can be clicked on below.

To read the text to the “Descent of Ishtar” and the introduction (where I talk about ancient Babylon), click here.

To read the text to “Forty Days And Forty Nights” as well as my introduction, click here.

 

 

 

 

 

 

 

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Looking at Pictures is the novel that I spent last winter writing. It gives us a glimpse into the loves and lives of well known artists and ordinary people, both queer and not, all of whom live outside the box.  It is a novel influenced by history — it takes place in 1926 — and by the people who lived in that time.  Many of the characters are actual artists, including fine art photographers.

This novel was inspired, in large part, by the work that I have been doing with Jeanette Jimenez on the archive of her father Alexander Artway (an architect and photographer who photographed New York City in the 1930s). The archive is extremely interesting and the photographs brilliant!

The first short fiction excerpt –titled Looking At Pictures — of my novel was just published by devise literary and is partially excerpted below. Very shortly after I finished the novel last Spring, I heard from David Acosta (formerly known as Juan David Acosta) who invited me to be one of the readers at his new series at Casa de Duende. The piece that I read was a chapter set in Mexico which features the characters Frida and Tina.  The YouTube video, below, includes David’s wonderful introduction. If I were to rate this YouTube piece, it is definitely PG-plus.  It’s called “Ecstasy” and is influenced by lesbian sex, philosophy and LOVE. (A photograph of all the readers is below the YouTube video.)

 

Fiction: Looking at Pictures

Issue 1.2

by Janet Mason

(May, 1926)

Tina looked at the image in front of her and wished she still had her camera.

She was walking along the deepwater port looking into the hold of a ship that had backed up to the cement pier. She could see both levels. Initially she assumed that first class was on the top and that steerage was down below.  Then she noticed that the people below were almost all women and children.  They looked like immigrants from Europe wrapped in their drab shawls and holding their squalling infants.  None of them looked up.

……read more at devise literary

 

Ecstasy“@ Casa de Duende:

 

 

 

 

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The readers at Casa de Dunende’s queer reading series last Spring at the Da Vinci Art Alliance: (first row — left to right) David Acosta; Susan DiPronio; Lamont Steptoe; (second row – left to right) Cyree Jarelle Johnson; Janet Mason; Thom Nickels; (third row back Maxton Young-Jones.

Many thanks to David Acosta, Artistic Director for Casa de Duende, for bringing us all together!

 

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previously on The Huffington Post

Decades ago — in the eighties, when I was in my early twenties — a bumper sticker on my tan economy car read: “A Woman’s Place Is In The White House.”

Then one day after work I went out to the office parking lot and found that someone had taken a razor blade and cut out the word “White” so the bumper sticker read “A Woman’s Place Is In The … House.”

What I remember about the co-worker who I strongly suspected of doing this (but who never admitted it) was that he was extremely racist and sexist and that he was a closeted gay man who made hateful remarks about other gay people. His internalized self loathing frequently spilled outward at the people around him, and that included me.

Fast forward forty years and we have finally have a candidate who has a strong possibility of becoming our first woman president who I am supporting for many reasons — including the fact that she supports many of the same issues that I do, the U.S. Supreme Court appointees coming up in the next presidential term, and because she is a woman with lots of experience who is qualified to do the job.

Of course, it would help if the president had a Congress she could work with. The Pennsylvania (the state in which I live) Senate race between incumbent republican Pat Toomey and Katie McGinty has been in the national spotlight. As CBS News reports, the democrats need five seats to regain the senate — “four if they win the White House because a Vice President Tim Kane would break any 50-50 tie.”

I was familiar with this race because as a lifelong democrat, a progressive, a second-generation feminist(something I write about in my book Tea Leaves, a memoir of mothers and daughters), and a member of the LGBT community, I’ve been itching to vote against Pat Toomey — who is conservative on the social issues that I take personally. I was also familiar with this race because of the nasty television commercials that Toomey has been running against McGinty — all of which have prompted me to say to my partner and to the television that “I can’t wait to vote against Toomey.”

Then I was driving one day when I heard an interview on the radio with Katie McGinty — and I liked what I heard. I liked her stance on the issues, her background, the fact that she was endorsed by Emily’s List, and that she talked about the women in the senate collaborating on the last budget crises and “getting the job done.” Then she added that “I hope to be privileged to join that group.”

After the interview, I realized that I would be voting for someone rather than just against someone in the Pennsylvania senate race.

Some of the negative ads run against Katie McGinty call her “shady” Katie. The parallel between this and “crooked” Hillary (which Hillary’s opponent calls her) left me fuming. Then one day I was sitting in a local eatery with my partner when another nasty television commercial against Katie McGinty came on. This time the word “trust” grabbed my full attention.

Could it be that someone is telling us that women are not trustworthy in political office because we have had 2,000 years of male leaders in the history of the world (and therefore the powers that be are telling us we can’t trust women)? Could this have something to do with the white, male, cowboy origins of this country?

My partner was casually keeping her eye on me. I have lost it several times during this election, and she is in the unusual situation of having to be the peacekeeper. Maybe I am being overly sensitive. There are some women on the right and left who act like sexism does not exist. I think they are in denial. But the most important issue in this election is whether we can choose the best candidate for the position — regardless of gender.

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This Halloween we handed out treats and talked to parents to find out if they were voting for Hillary.  We got more than a few vehement “yes” es and as one mother pointed out, “isn’t everyone on this street?” Even one of the little trick-or-treaters ran down the street yelling “Hill-a-ary — Hill-a-ry”!

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bunny

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scary-pumpkin

 

As one of the father’s pointed out, he hopes this is as scary as it gets!

 

 

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