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In this post, I wanted to give you a preview of my novel THEY, a biblical tale of secret genders.  Three sections have been presented at the Unitarian Universalist Church of the Restoration (in Philadelphia).  The YouTube videos are below.  Short fiction excerpts of the novel have been published in several journals.  And one journal nominated a section for the Pushcart Prize.  The links to the journals are below the YouTube videos.

THEY is a novel based on the Bible (with some creative interpretations) and has gender fluid, intersex characters.  It also includes some strong female and gentle men characters who act on their passions and, in some instances, live as LGBT people.  But the novel (which also includes some carry overs from goddess culture) begins somewhere in the time period of 800 to 600 bce (before the common era) and that was definitely before labels!

The three YouTube videos below are excerpts from THEY  are in consecutive order from past to present.

 

 

 

 

You can also read an excerpt, written as standalone short fiction, in the online literary journal BlazeVOX15

Another excerpt is in the recent issue of Sinister Wisdom — the fortieth anniversary issue

A different excerpt is also in the aaduna literary magazine  (this excerpt was nominated for a Pushcart Prize)

Text excerpts from THEY and my introductions presented at UUCR (Unitarian Universalist Church of the Restoration) can be clicked on below.

To read the text to the “Descent of Ishtar” and the introduction (where I talk about ancient Babylon), click here.

To read the text to “Forty Days And Forty Nights” as well as my introduction, click here.

 

 

 

 

 

 

 

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Looking at Pictures is the novel that I spent last winter writing. It gives us a glimpse into the loves and lives of well known artists and ordinary people, both queer and not, all of whom live outside the box.  It is a novel influenced by history — it takes place in 1926 — and by the people who lived in that time.  Many of the characters are actual artists, including fine art photographers.

This novel was inspired, in large part, by the work that I have been doing with Jeanette Jimenez on the archive of her father Alexander Artway (an architect and photographer who photographed New York City in the 1930s). The archive is extremely interesting and the photographs brilliant!

The first short fiction excerpt –titled Looking At Pictures — of my novel was just published by devise literary and is partially excerpted below. Very shortly after I finished the novel last Spring, I heard from David Acosta (formerly known as Juan David Acosta) who invited me to be one of the readers at his new series at Casa de Duende. The piece that I read was a chapter set in Mexico which features the characters Frida and Tina.  The YouTube video, below, includes David’s wonderful introduction. If I were to rate this YouTube piece, it is definitely PG-plus.  It’s called “Ecstasy” and is influenced by lesbian sex, philosophy and LOVE. (A photograph of all the readers is below the YouTube video.)

 

Fiction: Looking at Pictures

Issue 1.2

by Janet Mason

(May, 1926)

Tina looked at the image in front of her and wished she still had her camera.

She was walking along the deepwater port looking into the hold of a ship that had backed up to the cement pier. She could see both levels. Initially she assumed that first class was on the top and that steerage was down below.  Then she noticed that the people below were almost all women and children.  They looked like immigrants from Europe wrapped in their drab shawls and holding their squalling infants.  None of them looked up.

……read more at devise literary

 

Ecstasy“@ Casa de Duende:

 

 

 

 

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The readers at Casa de Dunende’s queer reading series last Spring at the Da Vinci Art Alliance: (first row — left to right) David Acosta; Susan DiPronio; Lamont Steptoe; (second row – left to right) Cyree Jarelle Johnson; Janet Mason; Thom Nickels; (third row back Maxton Young-Jones.

Many thanks to David Acosta, Artistic Director for Casa de Duende, for bringing us all together!

 

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previously on The Huffington Post

Decades ago — in the eighties, when I was in my early twenties — a bumper sticker on my tan economy car read: “A Woman’s Place Is In The White House.”

Then one day after work I went out to the office parking lot and found that someone had taken a razor blade and cut out the word “White” so the bumper sticker read “A Woman’s Place Is In The … House.”

What I remember about the co-worker who I strongly suspected of doing this (but who never admitted it) was that he was extremely racist and sexist and that he was a closeted gay man who made hateful remarks about other gay people. His internalized self loathing frequently spilled outward at the people around him, and that included me.

Fast forward forty years and we have finally have a candidate who has a strong possibility of becoming our first woman president who I am supporting for many reasons — including the fact that she supports many of the same issues that I do, the U.S. Supreme Court appointees coming up in the next presidential term, and because she is a woman with lots of experience who is qualified to do the job.

Of course, it would help if the president had a Congress she could work with. The Pennsylvania (the state in which I live) Senate race between incumbent republican Pat Toomey and Katie McGinty has been in the national spotlight. As CBS News reports, the democrats need five seats to regain the senate — “four if they win the White House because a Vice President Tim Kane would break any 50-50 tie.”

I was familiar with this race because as a lifelong democrat, a progressive, a second-generation feminist(something I write about in my book Tea Leaves, a memoir of mothers and daughters), and a member of the LGBT community, I’ve been itching to vote against Pat Toomey — who is conservative on the social issues that I take personally. I was also familiar with this race because of the nasty television commercials that Toomey has been running against McGinty — all of which have prompted me to say to my partner and to the television that “I can’t wait to vote against Toomey.”

Then I was driving one day when I heard an interview on the radio with Katie McGinty — and I liked what I heard. I liked her stance on the issues, her background, the fact that she was endorsed by Emily’s List, and that she talked about the women in the senate collaborating on the last budget crises and “getting the job done.” Then she added that “I hope to be privileged to join that group.”

After the interview, I realized that I would be voting for someone rather than just against someone in the Pennsylvania senate race.

Some of the negative ads run against Katie McGinty call her “shady” Katie. The parallel between this and “crooked” Hillary (which Hillary’s opponent calls her) left me fuming. Then one day I was sitting in a local eatery with my partner when another nasty television commercial against Katie McGinty came on. This time the word “trust” grabbed my full attention.

Could it be that someone is telling us that women are not trustworthy in political office because we have had 2,000 years of male leaders in the history of the world (and therefore the powers that be are telling us we can’t trust women)? Could this have something to do with the white, male, cowboy origins of this country?

My partner was casually keeping her eye on me. I have lost it several times during this election, and she is in the unusual situation of having to be the peacekeeper. Maybe I am being overly sensitive. There are some women on the right and left who act like sexism does not exist. I think they are in denial. But the most important issue in this election is whether we can choose the best candidate for the position — regardless of gender.

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This Halloween we handed out treats and talked to parents to find out if they were voting for Hillary.  We got more than a few vehement “yes” es and as one mother pointed out, “isn’t everyone on this street?” Even one of the little trick-or-treaters ran down the street yelling “Hill-a-ary — Hill-a-ry”!

unicorn-princesses

dark-street-hillary-sign

HALLOWEEN-ADULT-W-PINK-HAIR.jpg

bunny

princess-and-doctor

scary-pumpkin

 

As one of the father’s pointed out, he hopes this is as scary as it gets!

 

 

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originally in The Huff Post/Fifty

I am parked at a light when I notice a bumper sticker on the SUV in front of me. It reads:

Does this ass/make my/car look fat?

The words are stacked on top of each other and to the right of them is a small circle with the clownish face of Donald Trump.

I am running errands with my elderly father near his home (where I grew up) in the working class area of lower Bucks County and Bristol. It’s an area where the Trump signs outnumber the Hillary signs — about three to one. Actually, there aren’t many signs for either of them. And signs for third party candidates are nonexistent. This is the land of the silent majority. To counter it, I have a large blue bumper sticker for Hillary prominently displayed on the back of my red car. The bumper sticker on the SUV in front of me is, in fact, the only other bumper sticker I have seen all day even though I have been on at least five major highways.

My father is 97 and a Trump supporter. The bumper sticker in front of me has made my day and I can’t help sharing it with my father. He is blind in one eye and has severe glaucoma in the other. He used to be liberal (thank you President Nixon) but since 9-11 has become increasingly conservative. When I describe the bumper sticker, he laughs and says “I guess that means they’re not voting for him. Even I can see that!”

In my early 20s in the early 1980s — more than 25 years ago — I came out as a lesbian to my parents. My father said being a lesbian was just one more thing I was doing to “buck the system.” I couldn’t disagree — though I would have changed a critical consonant. I was always rebellious, but I really was a lesbian. Eventually, he came around and loves and accepts my partner as my spouse and as a second daughter. (I am an only child.) Times were different then. I “escaped” from my background, was the first in my family to graduate from college, and then moved to a nearby city about an hour away. Since I left, I notice that things have changed. For one thing the “white” working class is increasing racially diverse.

After the errands on the way to his lady friend’s house, I note a few Hillary signs displayed prominently. On one street, two houses side by side display political signs. One is for Trump and one is for Hillary. I have a private moment of glee imaging the interactions between the neighbors.

On the front lawn of a house near our destination, a Hillary sign is displayed on the front lawn. In the front window, rainbow letters from the Hillary campaign say, “Do the most good.” I know there is no talking to him about politics, but decide to give it another try. I mention the sign to my father, who quotes Fox news to me. Loudly. (This is the only news he watches — when he is not listening to conservative talk radio.) I counter his statements by asking a few questions starting with “How do you think Trump made his money?”

My tactics don’t work. My father changes the subject. He is hard of hearing and refuses to wear a hearing aid so he repeatedly says “ha?” and I spend a lot of time repeating myself. My father is a decent person. He may live in an area that is mostly white and tract house but I never heard him utter a racist word. When my feminist mother was alive, he was pro-choice. I helped him take care of my mother 20 years ago when she was terminally ill, which I chronicle in my book Tea Leaves, a memoir of mothers and daughters. When my mother’s hospital bed was delivered to the house by a young black man, my father spoke to him respectfully and invited him into the house.

When we pull up to his lady friend’s house, she comes outside and I show her my bumper sticker. She agrees that the blue sticker against the red car looks very nice. Then she says “Who are you going to vote for?” She looks sincere and bewildered. She is a tiny, white haired 92-year-old woman, a retired seamstress, who still gardens and keeps an impeccable house.

She tells me she was just talking to her son about this. (Her son is a non-college educate white male — who lives with his wife and daughter and told his mother that he is voting for Hillary and that she should too.) “I was going to vote for him,” she says referring to Trump, “but he’s turning out to be crazy.” I reassure her that he was always crazy.

In the house, over a dish of strawberry ice cream, my father’s lady friend laughs when I tell her about the bumper sticker and then she turns to me and whispers (so my father won’t hear) “I think he’s guilty.” I nod in agreement and when my father states that “He is a smart business man.” I point out that another Trump casino in Atlantic City has just gone belly up.

My father’s lady friend has compassion on her face for the people who lost her jobs. Then she nods with concern at my father. She is telling me silently that he is 97, and I shouldn’t say anything to upset him. She is right. As my late aunt once said (about seven years ago), “At his age, it’s good he has any opinions.”

She was right. I promised my mother, when she was on her deathbed, that I would take care of my father. But it is more than that. I love and respect my father. I wouldn’t be here without him.

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This morning at the Unitarian Universalist Church of the Restoration (in Philadelphia) I talked about my experience of work, writing, teaching, and the importance of telling our stories.  The theme of this week’s service was “Finding Balance.”

To see the reading and the reflection on YouTube, click here. (You can also view the YouTube video at the bottom of this post. Following is the text of my talk:

 

“The workplace is a conquering ground for neurosis,”

                                         –Dorothy Barenholtz

 

 

 

My friend Dorothy’s statement has stood in my mind for a long time. It is true – under the best and worst of circumstances. Dorothy is a friend — in her 90s who lives in New York City.  She worked as an administrative assistant across from the Central Park Zoo when my partner and I first met her at a woman’s spirituality festival where she was selling rubber stamps with some amazing patterns. Before her time as an administrative assistant she worked as a writer in various capacities.

I will always think of her as an excellent letter writer, which in our fragmented society of texts and Tweets, is a lost art.  Before she retired, she regaled us for years with work-related stories – all of which boiled down to how the issue of survival of the fittest is too often prevalent in the workplace, forcing us to extreme measures to retain our humanity.

But let me start with my own story.

A difficult job situation put me on the path to Buddhism. I would meditate every morning on the train to Center City in order to be able to deal with extremely difficult coworkers. I worked for a major nonprofit – and the work that I did brought me in contact with people with physical and intellectual disabilities who were truly amazing. I was very good at what I did and earned some major awards.

But the environment – a cubicle on Rittenhouse Square in Center City, Philadelphia — was not in keeping with my inner self. On that job, I developed a jolly outer persona – which I now see was a kind of survival. Every morning, I walked by the major bookstore next door to my office and looked into the window.  I was crying inside.  Not that I was anything like the writers in the window.  In that section of town, the books that were put in the window tended to be on the right of the political spectrum and far more conventional than I was.

I have written seriously since I was 29 – like Gertrude Stein – but I always wanted to do more with my writing – and I felt that I could, if only I had the time.

I wrote on weekends, holidays and vacation time. I wrote in the evenings when I came home from work.  I also taught in the evenings – and my grueling schedule is probably the reason that I was seriously burnt out by the time I was laid off.

In Life, Work and Spirituality, Dr. John W. Gilmore (a former ministerial intern here at UUCR),  writes that work is part of our identity (sometimes it is our identity) and we learn about work very early in our lives.  My father worked shift work in an industrial plant.  My earliest memory of work was driving to the plant with my mother at odd hours to drop him off and pick him up.  When I was in college, I worked summers at the plant and heard of more than a few old timers who dropped over dead in the guard house when they were clocking out.  I always thought it very unfair that they had spent their last hours at the job.

I never wanted a job to take over my life.

Nonetheless, decades later on Rittenhouse Square – when things had gotten very difficult – I said to myself (and out loud on at least one occasion) that when you have a good job, you don’t quit it – you just keep on going no matter what.

Deep down, I wanted to put my creative writing first. It was a desire that burned in me.  The universe heard me.  I had finally found a publisher for my book Tea Leaves, a memoir of mothers and daughters and two weeks after I signed the contract, I was laid off.  Boom.  I had more time for my writing. Soon, I had a book to promote.

I managed to write and promote my book and also to job hunt – but the fact was that during this time I was a mess. A close friend, the wise poet Maria Fama, knew I was going through a period of extreme anxiety (to say the least) and gave me the advice to “put everything into your writing.” So I did. The result was that I have been doing what I consider to be my best writing.

I am also freelancing, coaching, and teaching and I am more of myself than ever.

Just last week, a student – a woman in her sixties – said to me that she always wanted to tell her story but she thinks that no one wants to hear it.

I’ll tell you what I told her.

There are people who will put us in categories. They may ignore us or think they are better than us.  But that’s their problem – not ours.  When we tell our stories we become more of ourselves.  We become larger and we connect – with ourselves and with each other.

Our stories are the glue that holds the universe together.

 

 

 

 

 

 

 

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