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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

When I began reading Have You Seen This Man? The Castro Poems of Karl Tierney (2019 Sibling Rivalry Press), I thought the poems of Karl Tierney might be tragic, but instead found them tragically funny – in a way that often makes the soul snicker. I thought the poetry might be tragic because they were brought to us by tragic circumstances.  The editor was friend and literary executor of the author Karl Tierney who in 1994 became sick with AIDs and took his own life in 1995 when he was 39-years old.  The editor, Jim Cory, is a noted poet and essayist in his own right.

Tierney never had a book published during his lifetime, but his poems were published in auspicious places such as the American Poetry Review and Exquisite Corpse.

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Karl Tierney as a poet also had his serious side. In the poem “Gertrude Stein to Alice B. Toklas,” he adopts Gertrude’s voice and writes in part of the poem:

 

Our car is …beautiful and blue

and we are beautiful and not blue

and we are fast driving

and do not feel a bit dangerous or dirty.

We have the radio on…

 

In his poems about gay life in San Francisco where he lived, Karl turned his keen poetic observations on life around him.  In “Adonis At The Swimming Pool,” Karl starts with:

“Who dances his thighs across the pool’s water,

spread on a mattress bloated from his breath.

Whose ripe-with-sun skin cuts through the spray

With the alingual grace of a kiss to my brow.”….

And ends with:

“Whose wet curls stroke the evening’s earliest gasp

into naughty tones and murmurs of lust.

Who would have me discussed in seedy cafés

and ruin me since I’m deaf to this hiss

behind the teeth in that insipid smile.”

From Tierney’s take on “lipstick lesbians,” MacDonna, and gay life in the Castro at a certain point in time, I found Have You Seen This Man? The Castro Poems of Karl Tierney (from Sibling Rivalry Press) to be a page-turner of a good read.

 

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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They: A Biblical Tale of Secret Genders by Janet Mason

 

They a biblical tale of secret genders

 

A taut, gripping, deeply intriguing tale…

Mason reimagines the life of Tamar from the book of Genesis as she takes readers on a stunning journey, vividly evoking the world of Old Testament women and intersex individuals. Content and happily barren, Tamar occupies a far different world from other women in the society, living as a hermit in the desert with her pet camel. When her twin sister Tabitha, a widower and the daughter-in-law of Judah, becomes pregnant after seducing a shepherd, Tamar connives a cunning plan to save her from being burned alive at the stake for the crime of adultery. Tabitha gives birth to intersex twins: Perez and Zerah. Tamar becomes attached to the twins and follows their line of intersex twins.

Familiar passages from the Bible come alive as Tamar questions the validity of many stories and wonders about the unanswered questions in the Bible (Eve’s so-called birth from Adam’s rib, the gender identity of the Garden of Eden’s serpent, the reference to God as a man).

As in the Legends of the Jews, Tamar in the novel is also endowed with a prophetic gift which allows her to know the future of her descendants (later in life) before she takes rebirth as an intersex. Mason vividly brings the period alive with rich details and poignantly evokes the strong bonds the women form as a sect.

Mason’s narrative is fluid and her prose clear and elegant.

Excluded from the public sphere and silenced by men, the women in the book are forced to stay dependent on men. But the female protagonists (Tamar, Judith, the Mother) in the book are fiery, cunning characters who know their ways around the stronger sex, becoming a resonant symbol of womanly strength, love, and wisdom.

Mason’s depiction of the lives of the women (living with the fear of casting as witches and getting burned alive on stakes for minor transgressions and prohibited from learning to read and write among other) explores deep roots of misogyny and issues of gender inequality (which are still prevalent in many communities), striking an occasional melancholy tone.

Without reverting to religious jargon, Mason’s book narrates the passions and traditions of the early Israelites while her characters’ gender fluidity leaves readers to contemplate their perceptions of present-day members of LGBT community. A book that is sure to garner Mason plenty of fans.

 

Highly recommended to lovers of literary fiction!

 

They: A Biblical Tale of Secret Genders

by Janet Mason

Buy now

Pub date August 24, 2018

Adelaide Books Publishers

ISBN 9781949180244

Price $18.22 (USD) Paperback, $7.66 Kindle edition

 

THEY Scottie

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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

I don’t usually think of myself as an optimist. But in reading Juno’s Swans by Tamsen Wolff (published by Europa editions), I began to think of myself as something close to an optimist: as one who has hope. After all, as a lesbian and as someone concerned about the world – I do have hope that things can change (for the better).

The reader learns at the very beginning that this is a coming of age story – where a young woman falls in love with another young woman only to have her heart broken. Perhaps it’s an all too common refrain: the beloved is in love with someone else.

The exceptionally good writing is what drew me in.  Through this writing, I learned that this was a big love with a capital ”B”. The narrator Nina – who is entering the last year of high school — falls in love with a slightly older girl named Sarah.  Nina and her best friend have gone to Cape Cod for the summer where Nina is taking acting lessons. There is a convincing back story about Nina. She has been basically abandoned by both of her parents and was raised by her grandparents.  However much she adores her grandparents, it’s easy for the adult reader to come to the conclusion that the narrator was left vulnerable by her parent’s absence.6A6100BD-5E84-416E-8EF0-D584892C12C6

However, it was the big love that the narrator feels for Sarah that I was struck by. Wolff writes that Nina slid her hand into Sarah’s, shortly after the two of them met, and that Sarah held her hand:

“The world was between our palms, so discreetly and politely pressed, so heated and limitless, curious and fervent.  The world contracted to that electric violet place.  If we had opened our hands right then, the light streaming out would have dazzled you blind. I didn’t look at her. I couldn’t look at her. I just held that pulsing jewel and marveled, brilliantly distracted.”

The novel is laden with Shakespearean references and the title comes from a reference in Shakespeare’s play “As You Like It.” The novel is set in the age of AIDS, which is evident in the lives of the characters around them. Perhaps indicative of that time period, the narrator is not into labels.

The reader finds out later that the narrator has at the same time always had boyfriends so that she can fit in at school – even if she is contemptuous of them.  Hmmm, the sarcastic part of my mind commented, things haven’t changed that much.

Still, I had hope. What if a girl can look at another girl and see the air break into pieces around her?  What if we lived in a world where labels weren’t necessary?

This world is possible as evidenced by the trueness of the author Tamsen Wolff writing in her novel Juno’s Swans as she describes Sarah’s comfy feather bed: “In it, we belonged to each other and nothing in the world could touch us.”

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

 

David Hockney is one of our pioneers: a well-known artist and a gay man.  As a person – with his loves and inspirations —the two have never been separate.  David Hockney hails from the working-class city of Bradford England, the same place that my mother’s ancestors lived (which I talk about in my book Tea Leaves, a memoir of mothers and daughters – published by Bella Books in 2012), which may be one of the reasons I was so intrigued with the book.  I had heard of Hockney as a gay man and as an artist but reading Life of David Hockney by the French novelist Catherine Cusset and published by Other Press, in 2019, told me so much more. It was translated from the French by Teresa Lavender Fagan.

The book is written as a novel.  As the author writes in the prologue, “This is a novel.  All the facts are true, but I have imagined feelings, thoughts and dialogue. I used intuition and deduction rather than actual intervention. I sought coherence and connected pieces of Hockney’s life puzzle from what I found in many sources – autobiographies, biographies, interviews, essays, films and articles.”

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The novel is unusual in its fictionization of someone who is still alive. Born in 1937, Hockney is currently in his early 80s. The book does not disappoint. In fact, the word lovely comes to mind. Hockney was always openly gay and obsessed with literature – especially with the gay poets Walt Whitman and CP Cavafy.

Toward the end of the book, the author writes, “That is what attracted David to art, what he liked best in his favorite painters, Piero della Franchesca or Claude Lorrain: the complex balance of colors and opposed elements, the place of man in space, the feeling that he was but a small part of the greater whole. The artist was the priest of the universe.”

He came of age as gay in Bradford when he was a teen, was championed by his mother as an artist and went to the Royal College of Art in London.  He went through all the things that gay people usually go through – like being discovered by one his straight peers – but it was in the late 1950s. Successful as an artist early in life, he went to New York where he was impressed with the number of gay bars along with the museums and vegetarian restaurants. He went back and forth to London for a while, and then settled in Los Angeles where he spent his life until the U.S. wouldn’t admit his lover (a citizen of the U.K.) so Hockney moved back to the region of England where he had grown up.

Ultimately, it was his courage to be himself – specifically his gay self – that along with his artistic genius, his dedicated work habits (he worked every day), along with the good people in his life and fate, that factored into his huge success as an artist and a gay pioneer.

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.
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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

 

Heaven is to Your Left Juliana Series: Book 4 (1956)

by Vanda

Sans Merci Press

If you dissect the word history, you will find that most of the word is story.  As for the prefix “his,” it can be replaced with any and all gender pronouns. If you look at U.S. LGBTQ history before the Stonewall Inn Rebellion in 1969, which lasted for six nights, when queers of all stripes stood up against a routine police raid and launched the modern LGBTQ movement, you’ll find it scant with invisibility – and survival – as its goal.

Reading Heaven is to Your Left, the fourth installment in the Juliana Series by Vanda (Sans Merci Press) is what prompted me to think about our history. The novel is set in 1956. The fact is that we have a history even if most of it was erased.  As a lesbian writer, I often think of the advice from the French author and pioneering lesbian-feminist thinker, Monique Wittig, who wrote, “Remember, Or, failing that, invent.”

Monique was telling us how to find our history.  In this fourth installment of The Julian Series, which can be read on its own, a lesbian love story is set against the historic backdrop of life in 1956. It is rife with specific detail of place such as snowflakes falling on your face in New York City.  It also contains just enough historic detail of that time (including the news that U.S. Civil Rights icon Rosa Parks refused to sit at the back of the bus in the mid-1950s).

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The novel tells us that at the same time, it was illegal for LGBTQ people – labelled “Queers” and not in a positive way – to exist.  The subtext of the novel tells us something more important – not only did we exist but we were part of history. When the two women return from a time in Paris to New York City, they are grappling with the reality of being blackmailed by someone who has found out about the fact that they are lovers. Juliana, who is an internationally known singing sensation, is lovers with Al, short for Alice, who has put Juliana on the map.

Vanda deftly writes about Al looking at Juliana in a passage that basically says it all:

“She moved toward the center of the stage, and my heart fluttered to the sound of her heels lightly clicking against the wood. She had her hair done up in a bouffant. And, oh, how lovely she looked in her Evan Picone pencil skirt and double-breasted blouse, the pointy collar sitting up against her neck, highlighting the short hair in back and the small silver earrings sitting delicately on her earlobes. I wanted to run up on stage and pull her into my arms and . . . She wasn’t even looking at me. I wondered if she knew I was there, but . . . No, we couldn’t risk even a careless glance among our own. The whole world had suddenly become more dangerous.”

As the story came to its inevitable conclusion, it landed on me with an emotional thud. There is a term in creative writing called an emotional reality, and this is an example of it. In my reader’s mind, Alice and Juliana existed even though they were fictional characters. On a deeper level, this means that we existed.

 

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To read Vanda’s review of my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon) click here.

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I was delighted to read this review in Sinister Wisdom, A Multicultural Lesbian Literary & Art Journal! These paragraphs are from the end of the review.

 

In this modern, provocative, deeply layered book, Mason presents allegory as powerful knowledge: how far or how little we can see and use this knowledge—depending on perspective—tells us how far we have come or how far we have to go—perspectives are the choices written between the lines, illuminating a different kind of spiritual guide, born from matrilineal teachings and ideas passed down and remixed into an inclusionary spirit of today, Mason uses exquisite story-telling skills to envision a place where a more just and equal world can co-exist with all its differences.

As the premise of the LGBTI movement as coalition goes, our alliances with different genders, colors, and religious belief—; Mason teaches us with a grace and vision as exquisite as it is otherworldly fun.

THEY reviewed in Sinister Wisdom, A Multicultural Lesbian Literary & Art Journal (http://www.sinisterwisdom.org/ ) by Roberta Arnold

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

THEY a biblical tale of secret genders Janet Mason New W

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Note: This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

One of the things that I value as a lesbian, is being connected to the rest of the world. Hence the rainbow flag and the saying that we are everywhere. We are. That fact led me to the novel that I was recently immersed in called Disoriental by Nagar Djavadi published in 2018 by Europa Editions.  It was translated from the French by Tina Kover.

That the narrator identifies as a lesbian, one could legitimately argue is a sub-layer of the book. But looking through this same prism through a different angle, one could argue that the narrator’s sexuality is critical.  Being a lesbian from an extremely homophobic culture gave the narrator an extra layer of courage to tell this important story.

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Disoriental, a finalist for The National Book Award, is the story of a young girl who grows up in revolutionary Iran and goes through the Iranian revolution with an inside view provided to her by her revolutionary father.  As a North American who was in college in the time of the Iranian revolution, I remember the media coverage and knew some of the facts including that the Shah was backed by the United States, but I did not know everything and have long been puzzled at the repressive outcome of the revolution.  As a result, this novel which was written with a protagonist who lived in Iran with her family who later were all forced into exile, was – for me – filled with “aha” moments. The protagonist’s revolutionary, intellectual father was opposed to the regimes of both the Shah and Khomeini.

The story is told through the lens of an adult woman, who is going through the medical process in France (the country she and her family was exiled to) to become a parent. The narrator writes that she always valued childhood as the best part of life and has long been determined to continue her line through giving birth.

I was particularly impressed with Djavadi’s handling of the importance of history and how personal history intertwines with world events. The writing of this novel caused her to reflect on the human rights violations against LGBT people in her native land:

“In Iran, homosexuality is considered a supreme violation of God’s will, and is a crime punishable by death. Women as well as men, sometimes only teenagers, are blindfolded and hanged from cranes in public. Homosexuality is generally not cited as the main reason for these executions, due to pressure from Western countries and the fear that these acts will damage their complex relationships with Iran. In any case, it’s estimated that, since 1979, more than four thousand of these public hangings have taken place.”

Reality is rarely comforting, but it is necessary. I was riveted by Disoriental and turning its pages I pondered the mysterious forces of fate and existence and the importance of familial bonds – in particular, the book raises the bonds between fathers and daughters.  Ultimately, I found it to be not only a very good read — but a work of literature that brought me to reflect more keenly on my own life.

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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