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I was very excited this week to give a reading from my novel THEY, a biblical tale of secret genders (Adelaide Books — New York/Lisbon) at the Penn Book Center.  I read with Anjali Mitter Duva who read from her novel faint promise of rain (She Writes Press).

It was very cold outside, but inside the bookstore it was warm and cozy. It was warm in many ways with many of my favorite books lining the shelves — and a few new ones that I did not know about.  There was a packed house and the reading was complete with snacks before the question and answer period.

Many thanks to the Penn Book Center (an independent bookstore on the edge of the University of Pennsylvania  campus — 34th and Sansom) and to the Working Writers Group that hosts the All But True reading series.

You can watch the reading on YouTube or read my selection from THEY, a biblical tale of secret genders below the video.

From Chapter Ten of THEY, a biblical tale of secret genders

 

Maybe the passerby was just lost. There was no point in taking chances. Tamar brought a few clay pots outside with her. She started to rinse them out with a bucket of water from the well. They were just dusty so they didn’t need to be scrubbed. She rinsed the pots and kept her eyes on the horizon. The figure was close enough that she could make out that the rider was wearing a black and white striped robe. First, Tamar saw the brown veil draped across the rider’s face. Then she saw something bouncing up and down with the camel’s steps. The rider had breasts – and over them, silver necklaces, glinting in the sun, rose and fell.
Tamar held a clay pot on its side and washed out the inside even though it was already clean. She placed it in the sun to dry.
The visitor came closer and stopped. The camel knelt down and the visitor disembarked and stood in front of Tamar.
“Tamar,” said a husky, familiar voice. “It is me.”
Tamar was silent.
The rider took off her veil and revealed herself.
“Are you glad to see me?”
“I thought I’d never see you again,” said Tamar. She held her wet rag to the inside of a clay pot, swirled it around and set the pot in the sun.
“I needed some time to myself,” said Judith. “And in that time I realized that things were
different. I am different.” She reached down and put her hands on her stomach. There was a slight bulge. “For one thing, I am with child.”
“Are you sure?”
“It has been more than three moons since I last bled,” said Judith. “Plus I feel different. For one thing, I don’t have the sickness that I suffered the last six times. A child is stirring in me, and I am sure it is a girl. And there has been no one else but you.”
Tamar stared at Judith. Rubbish, she must of laid with someone — probably Bram, she thought.
She didn’t believe her. But happiness bubbled up in her and spilled over. Tamar was happy for Judith. She had helped Judith create a daughter — even if she had just paved the way by teaching Judith to silence the old voices in her mind and how to value herself as a woman.
“I see you are again wearing the silver necklaces that Bram gave you,” said Tamar.
Judith nodded. “I figured that it didn’t matter anymore — since I am with child. I am certain that it must be a daughter. And since I always liked the necklaces…”
While Judith was busy making excuses, Tamar remembered the words of one of the old woman from the province of Arzawa who told her that in the ancient days women gave birth to daughters without the intervention of men. The old women told her that many of the goddesses were born this way. Suddenly, Tamar felt as proud as a father announcing the birth of a son.
So, it is true, thought Tamar. But outwardly, she bristled. She was proud but, at the same time, she could not believe it.
“Are you sure you did not lay with Bram?” she asked.
“I am sure,” replied Judith. “I would’ve sent word, but if Bram finds out that I am with child, he will be angry. You know how men are. He will assume that I was unfaithful and lay with another man. And you know what happens to wives who commit adultery.”
Tamar nodded gravely.
“I have decided that I love you and want to live with you. I brought some of my belongings, enough for a few nights, in these baskets behind me. I can send for the rest. Bram is off on a journey to settle new lands. He probably won’t even notice that I am gone when he comes back.”
Tamar looked at the baskets. They were wide and deep. They looked full. Judith needed this much stuff for a few nights? How many more baskets would she send for? Tamar considered the fact that Bram was a powerful man. He would come for his wife, or send someone. He would find out that she was with child. He would have them both burned at the stake.”Wait a minute,” said Tamar, holding up her hand. “You belong with Bram. You created six sons together.”
“But I want to be with you. Your people are my people. I will lodge with you, and be with you always.”
Tamar was silent.

—-

THEY, a biblical tale of secret genders is available through bookstores and online where books are sold.  It’s also available through your local library.  If the library doesn’t already have it, just ask your librarian to order it.

For more information on THEY, click here.

 

THEY a biblical tale of secret genders

 

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I was delighted to find that Philly AIDS Thrift @ Giovanni’s Room is carrying my novel THEY, a biblical tale of secret genders (Adelaide Books — NY/Lisbon). You can order a copy when you’re in their store at 12th and Pine Streets in Center City, Philadelphia.

Or you can order your copy of THEY  on their website — and also peruse the other titles — by clicking here.

I was particularly happy to hear that Philly AIDS Thrift @ Giovanni’s Room is carrying THEY because Giovanni’s Room bookstore in it’s earlier incarnation and now its new incarnation is/was so important to me (and to many of us).Amazon THEY

I’m republishing two articles that I wrote for The Huffington Post about Giovanni’s Room and Philly AIDS Thrift @ Giovanni’s Room.

06/05/2014 12:57 pm ET Updated Feb 02, 2016

When Bookstores Save Lives and Preserve Culture: Reflections on Giovanni’s Room

I still remember the first time that I set foot in Giovanni’s Room, the beloved LGBT bookstore that recently closed its doors this past May. It was 1981, the year that I came out. I was in my early twenties. I had known about Giovanni’s Room, the gay and lesbian beacon on the corner of Twelfth and Pine Streets in Center City, Philadelphia. The store was founded in 1973.

The storefront was a rare and welcome presence for gay men and lesbians like myself who came out in a hostile time before the television shows Will and Grace, and Ellen, but after the Stonewall Gay Liberation Riots in 1969 which meant that gay bookstores, gay, lesbian and women’s presses were in existence. Gay marriage was just a glimmer in the eyes of our forebears (such as Gertrude and Alice) and still way in the future for us.

Stepping into Giovanni’s Room in 1981 felt like an act of courage and it was. Years later, the bookstore hosted Rita Mae Brown as a guest signing her books. I stood in the long line that went up the narrow staircase to the second floor where Rita Mae was signing her books. I arrived upstairs just in time to hear Rita Mae ask Ed Hermance, the owner, how many rocks had been thrown through his store windows over the years. As I recall, it was a high number.

On that first visit to Giovanni’s Room in 1981, I bought a book about Sojourner Truth, the African American abolitionist (born into slavery) and women’s rights activist. The book was hardback and had an off-white dust jacket with a pebbly feel to it. The title was Sojourner Truth: A Self Made Woman. It was in many ways a safe pick for me. If I ran into someone on the street and they asked me where I had been, I could be honest and say Giovanni’s Room which was a feminist bookstore, too. But Sojourner Truth had been an important figure in history and someone who gave me courage in my young life.

After my first trip to Giovanni’s, it was easier to go back. Inside the walls of that corner city house turned bookstore, I found a community of past and present. It was where I heard activists and authors of all types speak. And it was where I became most intimately acquainted with James Baldwin (whose pioneering novel Giovanni’s Room the store was named for), Willa Cather, Sappho, of course, and so many others.

Finally, Giovanni’s was a place where I came to find myself as a lesbian and as an author. I had been writing since childhood and began taking it seriously at the age of twenty-nine, the same age I learned that Gertrude had been when she started writing as a daily practice. When I began to get published in journals and anthologies, I would come into the store and find myself on the shelves. A little while later, when a small press began publishing my chapbooks, they were in the poetry section. A poster with one of my poems on it was in the rack upstairs. In the last five years, when I had readings for a novel and then a memoir, I had my book launches at the store.

I was part of many readings at Giovanni’s over the years, but that is what not I remember most. I remember that Giovanni’s shaped me as a writer and that Ed Hermance nurtured my talent. Ed and I would often talk when I came into the store, and he was always let me know when a new book had come out that I should check out, including a new translation of Sappho and a collection of James Baldwin’s letters. It was more than just good business. Ed really cared.

One of the people we both cared about was Toni Brown, the late lesbian poet, who worked at Giovanni’s Room for a stint when she first moved to Philadelphia from Amherst, Massachusetts. Toni died, unexpectedly, at the age of fifty-five. I had a very large print made from a photograph that I had taken of Toni made for her memorial service in April of 2008. The photograph was displayed on the stage of The Painted Bride Art Center where the memorial was held. Toni was a tall African American woman, about the same height as I, and the service was packed with a diverse crowd. I remember standing on the stage talking to Ed Hermance, both of us crying, and me handing him the photograph. He displayed it in the store for a time, on the wall behind the cash register. I remember thinking that I could walk into Giovanni’s Room at any time and see Toni.

Losing Giovanni’s Room is in many ways similar to losing a good friend. It was a place that contained our history, as a movement, as a people. It was a place that gave testament to our lives. It was a store that gave so many of us a safe haven and, in reality, saved many lives.

It was a place where we could be ourselves.

Note: as of this writing, Giovanni’s Room is still awaiting the decision of a potential buyer — which most likely will come by the middle of June.

History Repeating Itself: Odd Girl Out and Under This Beautiful Dome

July 17, 2015 

Note:  This piece aired as commentary this week on the international LGBT syndicate This Way Out.   It was previously published on The Huffington Post.

History repeats itself.

Just last week, I went into the new Philadelphia AIDS Thrift at Giovanni’s Room, the organization that took bought the old Giovanni’s Room Bookstore, the iconic bookstore that opened in 1973. I was thrilled to hear that Giovanni’s Room was continuing in some form, of course. But friends had told me that, alas, it just wasn’t the same. For lesbians and gay men of a certain generation, Giovanni’s Room was more than a store. It was a safe haven. It even has a mention in my book Tea Leaves, a Memoir of Mothers and Daughters (Bella Books, 2012).

So I was delighted to wander in and find that the store is charming — and remarkably similar to the old bookstore. In line at the register were a couple of very young gay men with short spiky hair and flesh plug earrings. (They looked like the young dykes of my time.) One was buying a used copy of the collected works of Oscar Wilde, and telling his young friend (who was unfamiliar with the author) who Wilde was and how important his work is. My heart was warmed, of course.

Later I reflected that it was more than heartwarming, the fact that Giovanni’s Room is continuing is historic survival.

A few years ago, I heard a rumor that many young people in the LGBT community were not interested in learning their history. I don’t know if this is true, and I certainly hope it is not true.

However, if it is true, it is understandable. We live in a time of rapid acceptance of LGBT rights. Same-sex marriage is legal in far more states than it is banned. And while federal recognition of marriage and other LGBT rights may be an ongoing battle — it is sure to follow. But not that long ago (everything being relative), gay rights were dismal and before that they were nonexistent.

I’ve always preferred learning my history through literature. That’s why I was excited when I heard that Cleis Press reissued Ann Bannon’s Odd Girl Out, a lesbian “pulp” classic first published in 1957. The “pulp” lesbian novels published roughly from 1950 to 1965, were written by such authors as Valerie Taylor, Claire Morgan and Marijane Maeaker ( who wrote under the pen names of Vin Packer and Ann Aldrich) among others. Ann Bannon (also a pen name) was known as the “Queen of lesbian pulp fiction” with her “Beebo Brinker Chronicles.”

The pulps were published during McCarthyism, a severely repressive time of U.S. history. In 1952 the House Un-American Activities Commission investigated gay men and lesbians in the public arena. The lesbian pulps were an important window into an identity that was illegal.

In the introduction to the re-issued edition (from Cleis) of Odd Girl Out, Bannon writes that she was a young housewife when she wrote these books, explaining that she was:

“just plain scared of to assume an identity that seemed to me full of mystery…I also had a fully reasonably fear of the public consequences. God forbid that a policeman should ever pluck me from a table in a lesbian bar, shove me into a paddy wagon, and put my name on a roster of criminals. The bars underwent regular police raids in those days…”

She also puts lesbian “pulp” fiction into perspective:

How did we get away with it, those of us writing these books? No doubt it had a lot to do with the fact that we were not even a blip on the radar screens of the literary critics. No one ever reviewed a lesbian pulp paperback for the New York Times Review of Books, the Saturday Review, The Atlantic Monthly. We were lavishly ignored, except by the customers at the drugstores, airports, train stations, and newsstands who bought our books off the kiosks by the millions. The readers tended to enjoy them furtively: probably feeling as wary as I did when I wrote them.

For a novel labeled as “pulp,” Odd Girl Out is remarkably well written and with an ending that is empowering rather than tragic — unusual in literature with lesbian characters at that time. When my partner asked me if it were worth reading, I gave her a resounding, “YES.”

I was also excited when I heard about Terry Mutchler’s heart-wrenching memoir, Under This Beautiful Dome: A Senator, a Journalist, and the Politics of Gay Love in America. I read this back to back with Ann Bannon’s lesbian classic and quickly realized that the two books shared the similar emotional underpinnings of the love that dare not speak its name: lesbianism.

The difference is that while Ann Bannon’s book was first published in 1957, Under This Beautiful Dome was published (by Seal Press) in 2014 and recounts the facts of a relationship that ended tragically when Penny Severns, an Illinois state senator and one of the mentors of the now President Barack Obama, died at the age of forty six from metastatic breast cancer.

It is a poignant love story about two women who fall in love. There are other reasons not to disclose their relationship — Penny is a journalist and it presents an ethical dilemma for her to be involved with a politician. But the primary reason — especially after Penny is diagnosed and Terry becomes her press secretary so they can spend more time together — is homophobia. In the high powered world in which they lived, being openly lesbian was a career killer.

After Penny dies (without a will) and her relatives step in and take over, Terry is locked out of the home she shared with her lover (but does not have her name on it). Wills would be public — which is why the two women did not have them — but Terry had an agreement with Penny’s twin sister, Patty. As often happens after the death of a loved one, the sister’s behavior quickly changed. She shut Terry out completely. Mutchler, who has experienced the loss of her lover plus the betrayal of someone she thought of as family, writes:

“I felt as though I had split into two people, two Terrys: the lesbian Terry whose mate has just died and was grieving deeply and needed help, and the press secretary and good friend Terry, who created a life of lies very carefully to keep her love and partnership a secret.”

The book is flawlessly and unflinchingly written. Especially touching is the caring that Terry did for her dying lover. But for me, the saddest part was that this story in different details and variations is one that I’ve heard more than a few times when one partner dies without a will, and the surviving partner is left unprotected to the vagaries of the deceased’s biological family.

In addition to being a moving memoir, Under This Beautiful Dome is a reminder that we have to protect ourselves and our rights — or history will repeat itself.

 

 

 

 

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Thursday night, July 26th, I had my book launch party for THEY, a biblical tale of secret genders (Adelaide Books — New York/Lisbon; 2018) at the Big Blue Marble Bookstore in the Mt. Airy section of Philadelphia.  It was a truly wonderful experience that included a packed house and a very interesting discussion about writing and gender among other things.

Below are some short YouTube videos of me reading and some photos of the event.

We also had unicorn cupcakes in honor of my recently completed novel (which I read a very brief excerpt from) The Unicorn, The Mystery.

Enjoy!

novel Mason Big Blue Marble

Janet-Mason-and-Emily-Pena-Murphy

Janet (right) with Emily Pena Murphy — another Adelaide author!

 

 

Janet-Mason-and-Becky-Birtha

with old friend (from the feminist writing group days) and author extraordinaire Becky Birtha!

 

Janet Mason novelist area resident

and good friend and true unicorn the artist and poet Gloria Rohlfs!

 

mingling-after-THEY

and there’s me again — mingling with guests and my partner Barbara!

Barbara-Jim-and-Jane

My partner Barbara (center) is looking smiling with our yoga and Qi Jong teacher Jane Hulting and her husband Jim Cohen (who along with the multi-talented Jane is a musician)!

 

 

 

unicorn cupcakes THEY

 

Amazon THEY

 

 

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