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Posts Tagged ‘Janet Mason book reviewer’

Note: This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

One of the things that I value as a lesbian, is being connected to the rest of the world. Hence the rainbow flag and the saying that we are everywhere. We are. That fact led me to the novel that I was recently immersed in called Disoriental by Nagar Djavadi published in 2018 by Europa Editions.  It was translated from the French by Tina Kover.

That the narrator identifies as a lesbian, one could legitimately argue is a sub-layer of the book. But looking through this same prism through a different angle, one could argue that the narrator’s sexuality is critical.  Being a lesbian from an extremely homophobic culture gave the narrator an extra layer of courage to tell this important story.

disoriental

Disoriental, a finalist for The National Book Award, is the story of a young girl who grows up in revolutionary Iran and goes through the Iranian revolution with an inside view provided to her by her revolutionary father.  As a North American who was in college in the time of the Iranian revolution, I remember the media coverage and knew some of the facts including that the Shah was backed by the United States, but I did not know everything and have long been puzzled at the repressive outcome of the revolution.  As a result, this novel which was written with a protagonist who lived in Iran with her family who later were all forced into exile, was – for me – filled with “aha” moments. The protagonist’s revolutionary, intellectual father was opposed to the regimes of both the Shah and Khomeini.

The story is told through the lens of an adult woman, who is going through the medical process in France (the country she and her family was exiled to) to become a parent. The narrator writes that she always valued childhood as the best part of life and has long been determined to continue her line through giving birth.

I was particularly impressed with Djavadi’s handling of the importance of history and how personal history intertwines with world events. The writing of this novel caused her to reflect on the human rights violations against LGBT people in her native land:

“In Iran, homosexuality is considered a supreme violation of God’s will, and is a crime punishable by death. Women as well as men, sometimes only teenagers, are blindfolded and hanged from cranes in public. Homosexuality is generally not cited as the main reason for these executions, due to pressure from Western countries and the fear that these acts will damage their complex relationships with Iran. In any case, it’s estimated that, since 1979, more than four thousand of these public hangings have taken place.”

Reality is rarely comforting, but it is necessary. I was riveted by Disoriental and turning its pages I pondered the mysterious forces of fate and existence and the importance of familial bonds – in particular, the book raises the bonds between fathers and daughters.  Ultimately, I found it to be not only a very good read — but a work of literature that brought me to reflect more keenly on my own life.

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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Note: This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

As a lesbian writer, I am continually confronted with the fact that we are many things – at the heart LGBTQ but perhaps not in everything we do.  I’ve come to the conclusion that LGBTQ status shouldn’t matter even when it does.

Recently, I was reminded of this dilemma in the reading of two books from Other Press about men who happen to be gay in the Middle East. Both books are well-written and delightfully complex. Both also represent stories within a story. coexist rainbow flag two

In The Parting Gift (Other Press 2018), a novel by Evan Fallenberg, we meet an unnamed narrator who tells us the story by writing a letter to his former lover Adam who he knew in a university in the states when the narrator left abruptly for Israel where he fell in love with a for a time lived with an alpha male who was previously heterosexual – and who in fact, as the narrator tells us, may not have an orientation other than being macho and selfish.

The story line, like the sexuality of the two male beloveds, is fluid. “This story, like most stories, could begin in a number of different places,” writes Fallenberg.  His narrator explains that he chose to go to go to Israel “because if you’re a Jew you can get off the plane in Tel Aviv, tell them you want to be a citizen, and you get processed right there at the airport.  Full rights and benefits – housing, education, medical.”

Once in Israel he meets and falls in love and lust with a spice-dealer who is close to his ex-wife and his children. The gay narrator becomes totally ensnared in the relationship and once things quickly begin to go bad, he is forced to examine entitlement – first that of his lover but then also the entitlement that he himself grew up with even as he acknowledges that he is now on the receiving end of entitlement.  It is being used against him. The narrator explains to Adam (and to the reader) that he didn’t leave abruptly because, “I had no friends, no real prospects. I was suddenly a 1950s housewife, trapped and helpless.”

The Diamond Setter, a novel by Moshe Saka (Other Press 2017) which was translated from the Hebrew by Jessica Cohen is a sprawling novel that traces the role of a blue diamond — a cursed but inanimate object with a storied past — in connecting people and communities.

A main character — Fareed a young Arab man from Syria who crosses the border and sneaks into Israel with the destination of Yafa – is gay. Fareed (who is carrying the diamond) finds himself in a community that evokes his past.

In addition to being culturally significant, or perhaps as a result, the novel has love at its core. It begins with a few paragraphs that contain the passage that this a story “from back in the days when the Middle East was steeped not only in blood but also in love.”

When Fareed is amazed at the acceptance of gays in Israel, one of his new friends in Yafa warns that,

“Most gay Palestinians in Israel are closeted. It’s a very conservative society. Even our leaders, the ones in the Knesset, say things like, ‘Arab society is not yet mature enough to contend with this issue.’ What is it mature enough for it to deal with then? … What’s for sure is that the Shami Bar, here in Yafa, is an oasis.  It doesn’t represent anything going on in this country, certainly not the discrimination and racism against Arabs.”

Perhaps the novel can be summed up by what Sakal writes in the Afterword:  “Anyone who lived in Palestine before the State of Israel was established in 1948 had tales of brave relationships that survived even the bloodiest of times, love affairs and friendships between Jews and Arabs … “

As complex as The Diamond Setter is, it can leave the reader with the feeling that with love, anything is possible.

 

To learn more about my novel THEY, a biblical tale of secret genders (just published by Adelaide Books New York/Lisbon), click here.

Amazon THEY

 

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