Feeds:
Posts
Comments

Posts Tagged ‘Literature’

Just when I think I am ready to move on to immerse myself in other projects, I am harassed about my novel THEY, a biblical tale of secret genders (Adelaide Books— New York — Lisbon).  I am a creative writer after all and we do tend to move on and write about other things and be fascinated by other details.

This time it was someone quoting the apostle Paul from the New Testament in one of his homophobic passages —  from Romans. Paul, hmmm, I thought, he sounds familiar. So I did a little research. I learned from Q Spirit, an online Christian zine, that Paul most likely struggled with his own homosexual nature when he was writing these passages.  To be fair, the author also writes that Paul also wrote some superb passages on unconditional love.

I also learned from Q Spirit that I was hit with one of the “clobber passages” from anti- LGBTQ bigots in quoting the New Testament.

Now, internalized self-loathing is a complicated thing. There are reasons for self hatred, but when that self hatred is used to oppress others — we have a problem.

There are lots of congregations that welcome LGBTQ members. There are so many that it seems like a no-brainer.

But we still have work to do.

Meanwhile churches are going out of business and there is a trend for old churches to be sold and to be turned into private residences.

When churches do discriminate against LGBTQ people, they hurt the children of their congregants, so people leave.

Also, when a young person who is just learning about his or her sexuality or gender expression leaves, a generational thread is broken. Often the parents leave too. And their friends and so on.

The antiquated notion of homophobia is one reason that churches go out of business.

Other online sources — such as Belief Net— have the same theory about apostle Paul suppressing his own homosexuality as the impetus behind his anti-gay writings.

I remember the feminist author Mary Daly, decades ago referring to Paul as the “little man who hated women.” That would be about right.

they_cover1_300

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

 

Advertisements

Read Full Post »

THEY, A Biblical Tale of Secret Genders by Janet Mason (an excerpt)

Genre: LGBT Literature or Fiction

The following is excerpted (Chapter Five) from THEY, a biblical tale of secret genders by Janet Mason (Adelaide Books ñ New York/Lisbon) the novel of which LGBTQ icon and Biblical scholar, Amos Lassen, has written:

THEY is a groundbreaker and I am sure that the author will agree with me that attempting to add new meaning to given bible stories is tantamount to heresy. I have no doubt that she will suffer repercussions from those who do not agree with her approach. Personally, I found her story to not only be wonderfully written but charming and liberating to us who have lived in a binary world for too long.THEY Scottie

“Close your eyes and imagine the long ago city of Babylon, in a land called Mesopotamia, near the mighty Tigris.  A gentle wind blew.  There was a beautiful Goddess named Ishtar. She was also known as the Queen of the Night,” said Tamar.

“Which night, Auntie?” asked Pharez, sitting on the floor of Tamar’s tent, playing with one of the  figurines.  Zerah crawled toward the camel Aziz.

“Zerah, look at Pharez’s doll. See how pretty? Here’s another one just like it.” Tamar grabbed a clay figurine from the woven basket.  Zerah came crawling back.

“Ishtar was called the Queen of the Night because she was known as the goddess of love and …  well of love,” said Tamar.

Ishtar was the goddess of love, war, fertility, and sexuality.  And she may have been a sacred  prostitute.  Tamar felt protective of the twins.  They were too young to hear about war and sex.

“What did the goddess look like, Auntie?”   Zerah looked up at her with big brown eyes under long thick lashes. The child was sitting cross legged.

“She was tall and beautiful and she had wings,” answered Tamar. “She had a face like… well a goddess … with wide set eyes shaped like almonds and a high forehead under a crown that was piled very high with ridges like a fancy temple. She held her arms up. Her hands grasped two

loops of rope that also may have been hand mirrors. Her two pet owls were usually by her side.”

“Ooooh owls! Do you have an etching?” Pharez dropped the figurine.

“I have one that we can look at later, but first I want to tell you the story of someone “That’s what happens to us eventually. We cease to exist.  But don’t worry.  It won’t happen for a long, long time. And if you meet a spirit guide like Asushunamir it might not happen at all.”

Tamar told herself that lying was okay if it made people feel better — especially children.

“How did the spirit guide save the goddess?”

Tamar could tell now that it was Pharez who was asking the questions.  Pharez’s nose was a little

more snub than Zerah’s.  They had the same oval faces ending in pointy chins.

“I was just about to tell you that,” continued Tamar.

“Ishtar wanted to go somewhere new and she had never gone to the underworld where her evil sister, Ereshkigal, ruled.”

“Ha. Ha.”  Zerah covered hir mouth with a small hand.

“Evil sister,” repeated Pharez. “It sounds like you and mama.”

Zerah shot Pharez a look.

The twins were silent.  Both looked down. The fringe of their long lashes covered their secrets.

Tamar wondered what Tabitha had told them.  Her sister had left the twins while she went shopping at the market.  She said she would be back this afternoon. They had agreed not to tell the twins that they were sisters, so that they wouldn’t have to worry about one of them blurting it out around Judah. They told them that Tamar was a good friend of their mother’s. The twins called her “Auntie.”

Unless she was busy, Tamar always watched the twins.  Sometimes it felt like they were her children. She loved them that much.

“Ishtar wanted to go to the underworld.  But first she had to ask the other gods if she could go. They ignored her so she asked again and then again. Finally, they said she could go.”

Tamar paused.

“The underworld had many gates,” she continued.  “There were seven in total.  Ishtar came to the first gate and rang the bell. Claaanggg. There was one ring for the first gate and two for the second gate and so on. Ishtar rang the bell and waited.  She tapped her foot.  Finally, the gatekeeper came, but he did not open the gate.  Like most goddesses, Ishtar had a temper.

To read more on LGBT Book Buzz, click here:
To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.
they_cover1_300

Read Full Post »

One of my inspirations for my novel THEY, a biblical tale of secret genders (Adelaide Books — NY/ Lisbon) is the Gnostic Gospels.

The Gnostic Gospels were discovered in the Egyptian town of Nag Hammadi in 1945.  Originally written in Coptic, these texts date back to ancient times and give us an alternative glimpse into the Gospels that are written in the New Testament. They are so important that they are banned in some conventional religions.

In my book, that’s a good reason to read them.

Reading them led me to think of myself as a Gnostic – meaning one who has knowledge and who pursues knowledge – including mystical knowledge.

The first place where I heard the Gnostic Gospels was in the music composed and played on the harp by our friend Julia Haines.

Julia has a wonderful composition of Thunder Perfect Mind. 

Thunder Perfect Mind is one of the ancient texts of the Gnostic Gospels.

CC840235-89E3-464C-8157-045ABD1FCB43

I am inspired by the Gnostic Gospels in part because they let in the light.  In particular, they let in the light of the feminine.

As Julia says in her rendition of Thunder:

I am godless

I am Goddess

To learn more about Julia’s music, you can click the following link to her CD Baby Page that features HER Songs, Thunder: Perfect Mind and Odyssey.

  https://store.cdbaby.com/Artist/JuliaHHaines

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

they_cover1_300

Read Full Post »

Just recently, I was contacted online and was asked what do I mean by saying Unitarians don’t believe in hell and therefore I can’t be threatened by it.

Whatever the motivations were behind the question, it did make me think.  I’ve long heard that Unitarian Universalists (UUs) don’t believe in hell and that it is an issue for some people.  For the record, I do believe in karma (not necessarily a Unitarian belief) — that what goes around comes around and I do believe strongly in living an ethical life. UU beliefs on hell can easily be found online. One of the most accurate and pithy statements I found came from a website  called Learn Religion which stated:

Heaven, Hell – Unitarian Universalism considers heaven and hell to be states of mind, created by individuals and expressed through their actions.
Unitarian Universalism describes itself as one of the most liberal religions, embracing atheists, agnostics, BuddhistsChristians, and members of all other faiths. Although Unitarian Universalist beliefs borrow from many faiths, the religion does not have a creed and avoids doctrinal requirements.
I was raised secular and it felt natural to be part of a religion that doesn’t emphasize a “bad  place” like hell or tell me I’m going there. Plus, I really like the UU notion of making life on earth less hellish with its emphasis on social justice.
But also for the record, I support people’s rights to believe what they want to. It’s called Freedom of Speech (or thinking for yourself) and it’s in the constitution. This notion undoubtedly helped me become a fiction writer.

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

THEY a biblical tale of secret genders Janet Mason New W

Read Full Post »

One of the great pleasures in being a Unitarian Universalist lay minister is that I am called on to select and do readings as part of services. This past Sunday which happened to be a Poetry Sunday, focused on social justice, I chose to read Joy Harjo’s poem, “For Calling the Spirit Back from Wandering the Earth in Its Human Feet.”

The poem—which was passed along to me from my partner—was perfect for the service.  I have long been familiar with Joy’s poetry.  Her work is frequently used in Unitarian services, and long before I was a Unitarian, I was a fan of her work.

Then I heard that she was the first Native American U.S. poet laureate (it’s about time!).

 

You can watch me read the poem on YouTube or read the poem below the video.

 

Janet Mason reading Joy Harjo — a UU reading
Unitarian Universalist (UU) lay minister Janet Mason reads, as part of the annual Poetry Sunday, a poem written by Joy Harjo, the first Native American poet laureate of the United States. Poetry Sunday is a UU annual event. Janet is reading at the Unitarian Universalist Church of the Restoration in Philadelphia.
http://www.youtube.com

 

For Calling the Spirit Back from Wandering the Earth in Its Human Feet

By Joy Harjo
Put down that bag of potato chips, that white bread, that bottle of pop.

Turn off that cellphone, computer, and remote control.

Open the door, then close it behind you.

Take a breath offered by friendly winds. They travel the earth gathering essences of plants to clean.

Give it back with gratitude.

If you sing it will give your spirit lift to fly to the stars’ ears and back.

Acknowledge this earth who has cared for you since you were a dream planting itself precisely within your parents’ desire.

Let your moccasin feet take you to the encampment of the guardians who have known you before time, who will be there after time. They sit before the fire that has been there without time.

Let the earth stabilize your postcolonial insecure jitters.

8BBC3AB4-D8D5-4AB4-9748-7A437D9CA9EFBe respectful of the small insects, birds and animal people who accompany you.
Ask their forgiveness for the harm we humans have brought down upon them.

Don’t worry.
The heart knows the way though there may be high-rises, interstates, checkpoints, armed soldiers, massacres, wars, and those who will despise you because they despise themselves.

The journey might take you a few hours, a day, a year, a few years, a hundred, a thousand or even more.

Watch your mind. Without training it might run away and leave your heart for the immense human feast set by the thieves of time.

Do not hold regrets.

When you find your way to the circle, to the fire kept burning by the keepers of your soul, you will be welcomed.

You must clean yourself with cedar, sage, or other healing plant.

Cut the ties you have to failure and shame.

Let go the pain you are holding in your mind, your shoulders, your heart, all the way to your feet. Let go the pain of your ancestors to make way for those who are heading in our direction.

Ask for forgiveness.

Call upon the help of those who love you. These helpers take many forms: animal, element, bird, angel, saint, stone, or ancestor.

Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse.

You must call in a way that your spirit will want to return.

Speak to it as you would to a beloved child.

Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.

Your spirit will need to sleep awhile after it is bathed and given clean clothes.

Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go.

Make a giveaway, and remember, keep the speeches short.

Then, you must do this: help the next person find their way through the dark.

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright 2015 by Joy Harjo.

(I also found the poem at poets.org)

 

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

they_cover1_300

Read Full Post »

This afternoon, I went to see Wild Nights With Emily and was blown away.   With a comedic actress in the lead (Molly Shannon), the movie was billed as  a comedic drama, but by the end I was stifling sobs.  It’s true that I kept thinking “poor Emily” at various places in the film, but when all was said and done, it was the sound of the eraser of history that sent me over the edge.

When it came out about two years ago, my partner and I went to see A Quiet Passion — the movie about Emily Dickinson that starred Cynthia Nixon.  While that movie was worth seeing, it erased all mention of Emily’s documented love affairs with women, especially with her sister-in-law Susan.  As I remarked after this movie, what really can be said about Emily when her sexuality is erased?

Her sexuality was crucial — in her development as a poet, in her wring and in her poems which were included in the movie.

My partner and I thought we better see the film while we could, because like all things lesbian, it probably will be dismissed and marginalized.  I do hope this time will be the exception and Wild Nights With Emily will get the acclaim it deserves.

I have long been an admirer of Emily Dickinson and have written about her love of women. Decades ago, Emily’s niece (Susan’s daughter) writing in the New Yorker decades ago described Emily as a “valiant knight” to her mother. I am reprinting a shorter piece that I wrote on Emily below.

A longer essay titled, “The American Sappho: In Pursuit of a Lesbian Emily Dickinson” that I wrote was published in the Vol. 3, Number 3 2002 edition of the Harrington Lesbian Fiction Quarterly (now out of print).

 

Emily Dickinson and I did not hit it off on the first date. That is to say that on introduction to her work, I saw her–or rather was taught to see her–as a lady like poet writing of hearts and flowers, tendrils and vines, the stuff of which had absolutely nothing to do with my life. In junior high when I came across Dickinson’s work, I was already a hell on wheels hard drinking adolescent, a product of my 1970s working class environment that put me on a collision course headed toward disaster.

Emily Dickinson color

It was my love of language that got me through. I’ve often heard it said that poetry serves no purpose. Perhaps that is true if one takes a completely materialistic and emotionally bankrupt view of life. But the fact is that two lines of poetry saved my life: Shakespeare’s “Tomorrow, and tomorrow and tomorrow/ creeps through this petty pace from day to day.” I didn’t know it at the time, but that I could recite this part of Hamlet at will, even if I was on my way to being blasted or hung over from the night before, embedded in my mind that I would have a tomorrow. A tomorrow was not a petty thing to have: a few of my friends didn’t make it.

I wonder if things could have been different, for myself and for the close-knit gang of teenage girls I hung out with. I wonder if a Lesbian reading of Emily Dickinson could have halted our self-destruction and consequently saved a few young lives. It took a few more years for me to grow up, stop drinking and come out as a Lesbian. And when I did I found myself falling head over heels in love with poetry. Emily Dickinson was someone I returned to again and again. There was something clever, yet profound, in her verses that I memorized. The lines were deeply personal, as if they had been written just for me. I found her public personae intriguing. She was portrayed as a spinster, a recluse dressed in white, the eternal virgin who had nothing to do with men.

A few more years passed and I went to visit the Dickinson homestead in Amherst Massachusetts. I was there with a group of friends, some of whom lived in the area and were just visiting her home for the first time. It was ironic really– there we were a room full of Lesbian poets listening to the tour guide’s official wrap about the cloistered and asexual Emily Dickinson, trapped in her father’s house. There was something sinister about the house, foreboding. But behind the house, in the flower garden, was a beautiful wash of colors. And as I sat in the garden, on a white wrought iron bench, I peered through a shady grove to the neighboring house. I remember it being painted in the glowing hues of peach, at once golden and pink. There was something mysterious about this house, set back as it was from the road, directly approachable from the Dickinson homestead. If I were Emily I could not have resisted its magic lure.

I found out later that this house is where Susan Huntington Dickinson lived. She was Emily’s sister-in-law, married to Emily’s brother, Austin, and she was the love of Emily Dickinson’s life. She was Muse to Emily, her intended reader, thoughtful critic and, by more than a few accounts, she was Emily’s lover. In correspondence to Susan, Emily wrote that Susan was “imagination” itself. The two women were close friends for 40 years, and they lived next door to each other for 30 of those years.

In “Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson” (from Paris Press), the editors, Ellen Louise Hart and Martha Nell Smith, point out that over the course of their lifelong friendship and love affair, Emily sent countless numbers of letters, poems and a form of writing that Emily came to call the letter poem. And on many of these letters, placed for Susan to see when she unfolded them, Emily had written her careful instructions: “Open me carefully.”

Emily Dickinson lived at the end of the Victorian-era in New England from 1830 to 1886. After her death, any mention of Susan was carefully removed from her poetry and this essential body of correspondence was neglected. Still, even with this erasure of Susan’s name, which Emily had written at the top of so many of her poems, it is obvious that they are essentially Lesbian love poems. Consider, for example, the piece that begins with the line “Her breast is fit for pearls…”

“Susan, / Her breast is fit for pearls, / But I was not a “Diver”– / Her brow is fit for thrones / But I have not a crest, / Her heart is fit for home– / I–a Sparrow–build there / Sweet of twigs and twine / My perennial nest. / —Emily”

In Victorian New England, Emily Dickinson certainly could not mention her most intimate body parts. But she did a pretty good job of using the birds and bees as metaphor: “These days of heaven bring you nearer and nearer, and every bird that sings, and every bud that blooms, does but remind me more of that garden unseen, awaiting the hand that tills it. Dear Susie, when you come, how many boundless blossoms among the silent beds!”

To separate Emily Dickinson from her Lesbian passions is a cruel and unnecessary act. Not only does it do a disservice to Emily’s poetic genius, but it also deprives her readers of a deeper comprehension of Emily and therefore of a deeper understanding of themselves. That’s what literature, at its best, does. It leads us home.

It really doesn’t matter if Emily Dickinson ever made love with a woman. (Although my guess is that she did and most likely did so rather skillfully.) What matters is that she experienced deep rending passion, that must at times, under the circumstances, have been painful.

A Lesbian reading of Emily Dickinson places her firmly in the center of her own page. When I think back on my visit to her house, I can see her clearly now, sitting down at her desk after her daily chores were done, as she smoothed the white folds of her skirt and picks up her quilled pen. As she writes, her cheeks are ablaze with longing and desire, that essential Lesbian desire.

 

Available through you local library, THEY, a biblical tale of secret genders is also available through your local bookstore or online.

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

they_cover1_300

Read Full Post »

I wanted to let you know about my upcoming reading at the Penn Book Center this January 30th (Wednesday) at 6:30 pm.  I’m reading with novelist Anjali Mitter Duva.

The address of the Penn Book Center (in University City, Philadelphia) is 34th and Sansom Streets.

The series is hosted by the All But True Working Writers Group. 

penn book center

 

Read Full Post »

Older Posts »