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Posts Tagged ‘novels’

I still wonder — why would anyone want to capture me?  Why didn’t they just leave me alone. Was I that important?

Three short fiction excerpts of my novel The Unicorn, The Mystery were shortlisted for the Adelaide Literary Award  2018 (short stories, Vol. One).  To read the flip version of the 2018 anthology, click here.

The Adelaide Anthology is also available for purchase as a print copy.  To learn more about the print copies of the Adelaide Literary Awards, click here.

You also can view excerpts of me reading from The Unicorn, The Mystery on short YouTube videos by clicking here

 

unicorn glass

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

 

THEY a biblical tale of secret genders Janet Mason New W

 

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Three short fiction excerpts of my novel The Unicorn, The Mystery were shortlisted in the Adelaide Literary Award  2018 (short stories, Vol. One).  To read the flip version of the 2018 anthology, click here.

The Adelaide Anthology is also available for purchase as a print copy.  To learn more about the print copies of the Adelaide Literary Awards, click here.

You also can view excerpts of me reading from The Unicorn, The Mystery on short YouTube videos below.

 

 

 

 

 

glass unicorn the mystery

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

 

THEY Scottie

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I presented this at the Unitarian Universalist Church as part of  Poetry Sunday” where I am a lay minister. The segment is also on YouTube. Unitarian Universalism is a faith that encompasses all religious/spiritual backgrounds (including atheism, agnosticism and Buddhism) in a “free and responsible search for truth and meaning.”)

"Poetry Is Not A Luxury" on church sign, Janet Mason standing next to it

“Poetry Is Not A Luxury.”

This is a quote from Audre Lorde, the self-described “black, lesbian, mother, warrior poet,” who dedicated her art and life to social justice. Audre lived from 1934 to 1992.

I first came across her work in the early 1980s. I was in my twenties and was a freshly minted lesbian-feminist. I was fortunate to come out in a diverse cultural and political women’s community — which is what we called it then — which described a community based on the values of feminism and included lesbians, bisexual and heterosexual women and men of all stripes. I was fortunate to have seen Audre read in person several times, including in Philadelphia and at the Audre Lorde “I Am Your Sister” conference in Boston held in 1990 two years before she died of cancer at the age of 58.

Audre Lorde authored 15 books of poetry and prose.  She was Poet Laureate of New York State from 1991 to 1992.  She was a major poet. But because of racism, homophobia, and sexism, she was not taught in  the 1970s in the public high schools when I was a student. Audre Lorde’s work is powerful and is about empowerment.  If she had been taught, I know for a fact that her work would have saved plenty of lives. 

When I read her book Sister Outsider, Essays and Speeches first published by The Crossing Press in 1984, it became a kind of bible for me.  All of her essays held resonance for me — especially “The Master’s Tools Will Never Dismantle the Master’s House” and “Uses of the Erotic: The Erotic as Power.”

But I always returned to her essay “Poetry Is Not a Luxury”.  I’m going to share a few excerpts with you:

…..”it is through poetry that we give name to those ideas which are — until the poem — nameless and formless, about to be birthed, but already felt.  That distillation of experience from which true poetry springs births thought as dream births concept, as feeling births idea, as knowledge births (precedes) understanding.

…..

“For each of us …. , there is a dark place within, where hidden and growing our true spirit rises, ‘Beautifully/and tough as chestnut/stanchions against our nightmare of weakness/’ … and of impotence.

These places of possibility within ourselves are dark because they are ancient and hidden; they have survived and grown strong through that darkness.  Within these deep places, each one of us holds an incredible reserve of creativity and power, of unexamined and unrecorded emotion and feeling. The … place of power within each of us is neither white nor surface; it is dark, it is ancient and it is deep.”

“…poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action. Poetry is the way we help give name to the nameless so it can be thought.  The farthest horizons of our hopes and fears are cobbled by our poems, carved from the rock experiences of our daily lives.”

When I am lucky, I find myself coming full circle with that wonderment I experienced when young — now combined with the wisdom of my years.  Revisiting Audre Lorde’s essay through a Unitarian Universalist lens was one of those experiences.  While this essay could evoke any of the UU Seven Principles, to me it is particularly evocative of the first:  “The inherent worth and dignity of every person.”

Poetry is something that has always made me feel more fully alive. It sheds new light on our commonalities and differences.  It enters the mystery and enlarges what is possible.

For this reason, “Poetry Is Not A Luxury.”

This piece was originally on OpEdNews

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In celebrating the 40th anniversary of the Anna Crusis Women’s Choir (the feminist choir in Philadelphia and one of the nation’s longest standing feminist choruses) — I found pieces of myself. They weren’t forgotten — but rather strengthened by being in the company of women who have known me for decades.

That’s what community is all about.

The concert was billed as reclaiming the f-word — and joking to my partner I wondered which f-word they were talking about.  Both came up — and on the screen at the concert!  I realized that for me, the two major f-words are somewhere synonymous. My first chapbook of poetry was called “A Fucking Brief History of Fucking” from Insight To Riot Press (my favorite line was and still is ‘the dickless dyke fuck’).  I was delighted to be in the company of women who remembered me from my poem Boobs Away! — which I performed with the choir twice around 2005 at the Friends School in Center City Philadelphia and at the large Episcopalian Church in West Philadelphia. Boobs Away! is written on a broadside based on a breast portrait by the artist Clarity Haynes.  Clarity went to women’s music festivals where she painted breast portraits of women.  The portraits were and are a powerful statement — undoubtedly, my inspiration for the Boobs Away! — which includes the lines

…. The boobs refuse to be replaced by imposters /  one boob, two boobs, double mastectomies, phantom boobs, third nipple boobs// Boobs All! //BIG BAD BOOBS// ….

I guess you could say it was kind of a rant.  I don’t have a link a video of me reading the poem — but I hear that such a video does exist — but recently I put the image of the broadside, along with my published books on my You Tube banner of my channel that show cases my new work (Janet Mason, novelist).  You can click here to see the image.

We went to the Saturday evening Anna Crusis Concert.  Here are some photos from the powerful event and from the F-word celebratory weekend. Enjoy!

Anna Crusis F-words on screen behind choirAnna Crusis choir sings Hildegard Von Bingham, mosaic on screen behind choir Jane Hulting, past conductor, in center

Anna Crusis current member in silhouette

Anna Crusis with tree on screen behind them

Anna Crusis after party at October Gallery

Anna Crusis choir -- quote on screen behind themgroup at party --with Janet Mason

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