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Posts Tagged ‘THEY by Janet Mason’

This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

I don’t usually think of myself as an optimist. But in reading Juno’s Swans by Tamsen Wolff (published by Europa editions), I began to think of myself as something close to an optimist: as one who has hope. After all, as a lesbian and as someone concerned about the world – I do have hope that things can change (for the better).

The reader learns at the very beginning that this is a coming of age story – where a young woman falls in love with another young woman only to have her heart broken. Perhaps it’s an all too common refrain: the beloved is in love with someone else.

The exceptionally good writing is what drew me in.  Through this writing, I learned that this was a big love with a capital ”B”. The narrator Nina – who is entering the last year of high school — falls in love with a slightly older girl named Sarah.  Nina and her best friend have gone to Cape Cod for the summer where Nina is taking acting lessons. There is a convincing back story about Nina. She has been basically abandoned by both of her parents and was raised by her grandparents.  However much she adores her grandparents, it’s easy for the adult reader to come to the conclusion that the narrator was left vulnerable by her parent’s absence.6A6100BD-5E84-416E-8EF0-D584892C12C6

However, it was the big love that the narrator feels for Sarah that I was struck by. Wolff writes that Nina slid her hand into Sarah’s, shortly after the two of them met, and that Sarah held her hand:

“The world was between our palms, so discreetly and politely pressed, so heated and limitless, curious and fervent.  The world contracted to that electric violet place.  If we had opened our hands right then, the light streaming out would have dazzled you blind. I didn’t look at her. I couldn’t look at her. I just held that pulsing jewel and marveled, brilliantly distracted.”

The novel is laden with Shakespearean references and the title comes from a reference in Shakespeare’s play “As You Like It.” The novel is set in the age of AIDS, which is evident in the lives of the characters around them. Perhaps indicative of that time period, the narrator is not into labels.

The reader finds out later that the narrator has at the same time always had boyfriends so that she can fit in at school – even if she is contemptuous of them.  Hmmm, the sarcastic part of my mind commented, things haven’t changed that much.

Still, I had hope. What if a girl can look at another girl and see the air break into pieces around her?  What if we lived in a world where labels weren’t necessary?

This world is possible as evidenced by the trueness of the author Tamsen Wolff writing in her novel Juno’s Swans as she describes Sarah’s comfy feather bed: “In it, we belonged to each other and nothing in the world could touch us.”

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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I love this season — the end of the summer, cicadas singing and everything coming to fruition. This year I have obsessed with growing sunflowers, planted some new bee balm, and dozens of new milkweed plants among other plants including basil, rosemary, and tomatoes.

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We have a bee friendly garden (pesticide-free) and I’ve found that if you leave them alone they leave you alone.  This year the monarch butterflies have found us.  My office window looks out on the backyard and every now and then, I look up from writing and see the orange wings of a monarch fly by. (My office is on the second floor.)

I told my partner about this and said the butterfly is saying thank you for providing it with sanctuary in our backyard. Maybe she is. And I am saying thank you back.

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To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

 

David Hockney is one of our pioneers: a well-known artist and a gay man.  As a person – with his loves and inspirations —the two have never been separate.  David Hockney hails from the working-class city of Bradford England, the same place that my mother’s ancestors lived (which I talk about in my book Tea Leaves, a memoir of mothers and daughters – published by Bella Books in 2012), which may be one of the reasons I was so intrigued with the book.  I had heard of Hockney as a gay man and as an artist but reading Life of David Hockney by the French novelist Catherine Cusset and published by Other Press, in 2019, told me so much more. It was translated from the French by Teresa Lavender Fagan.

The book is written as a novel.  As the author writes in the prologue, “This is a novel.  All the facts are true, but I have imagined feelings, thoughts and dialogue. I used intuition and deduction rather than actual intervention. I sought coherence and connected pieces of Hockney’s life puzzle from what I found in many sources – autobiographies, biographies, interviews, essays, films and articles.”

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The novel is unusual in its fictionization of someone who is still alive. Born in 1937, Hockney is currently in his early 80s. The book does not disappoint. In fact, the word lovely comes to mind. Hockney was always openly gay and obsessed with literature – especially with the gay poets Walt Whitman and CP Cavafy.

Toward the end of the book, the author writes, “That is what attracted David to art, what he liked best in his favorite painters, Piero della Franchesca or Claude Lorrain: the complex balance of colors and opposed elements, the place of man in space, the feeling that he was but a small part of the greater whole. The artist was the priest of the universe.”

He came of age as gay in Bradford when he was a teen, was championed by his mother as an artist and went to the Royal College of Art in London.  He went through all the things that gay people usually go through – like being discovered by one his straight peers – but it was in the late 1950s. Successful as an artist early in life, he went to New York where he was impressed with the number of gay bars along with the museums and vegetarian restaurants. He went back and forth to London for a while, and then settled in Los Angeles where he spent his life until the U.S. wouldn’t admit his lover (a citizen of the U.K.) so Hockney moved back to the region of England where he had grown up.

Ultimately, it was his courage to be himself – specifically his gay self – that along with his artistic genius, his dedicated work habits (he worked every day), along with the good people in his life and fate, that factored into his huge success as an artist and a gay pioneer.

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.
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I decided to devote my day mostly to gardening and reading — and spending time with my beloved Barbara McPherson.  I had some serious health issues earlier this year which set me back about two months. So this year, gardening has been a path of healing as well as one of pleasure.

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‘The Forth of July rose that I planted two years ago to commemorate my father’s passing was in bloom today — on the date of its name.

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I’m finally getting the yard into shape.

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A morning view.

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Another morning view — eating breakfast with Barbara.

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I call this “Milkweed gathering light.”

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Yours truly — sweaty but happy

 

 

learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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Last night a friend and I went to see the documentary Toni Morrison: The Pieces I Am and I loved every minute of it.  For as long as I can remember, I have long been inspired by the work of Toni Morrison and was again inspired by the movie as a writer and as a human being.

I am far enough outside the mainstream not to have heard the criticism of the white, male (straight I assume) literary establishment who criticized her and said she did not deserve to win the Nobel Prize.  But the comments were, unfortunately, predictable.

I have long considered Morrison America’s greatest living writer and was motivated by the movie to go back and reread her books.

As a writing teacher, I have often quoted Morrison’s statement that revising is the “delicious” part of writing, that the writer goes back and sculpts the hollows that brings forth the characters.

The movie brought me to tears more than once.

I was moved by her discussion on internalized self-hated – that her first book, The Bluest Eye, strongly addresses.  As a lesbian writer, I have often written and thought about internalized oppression – the fact of its existence, where it comes from, and how it can be overcome.

 

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I was struck with what she said about white people and racism.  She said that racist white people are “bereft” and that by being racist, they are also damaging themselves. She asked the question that what are you without your racism? Are you still strong? And she said that if someone needs to feel better than someone else, they need to process that by themselves – without her.

So, thank you Toni Morrison. I recognize genius when I see it/read it – and am uplifted by your gifts not threatened by them.

 

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.
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This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show.  Click here to listen to the entire show.

(TWO is the first international LGBTQ radio news magazine.)

 

Heaven is to Your Left Juliana Series: Book 4 (1956)

by Vanda

Sans Merci Press

If you dissect the word history, you will find that most of the word is story.  As for the prefix “his,” it can be replaced with any and all gender pronouns. If you look at U.S. LGBTQ history before the Stonewall Inn Rebellion in 1969, which lasted for six nights, when queers of all stripes stood up against a routine police raid and launched the modern LGBTQ movement, you’ll find it scant with invisibility – and survival – as its goal.

Reading Heaven is to Your Left, the fourth installment in the Juliana Series by Vanda (Sans Merci Press) is what prompted me to think about our history. The novel is set in 1956. The fact is that we have a history even if most of it was erased.  As a lesbian writer, I often think of the advice from the French author and pioneering lesbian-feminist thinker, Monique Wittig, who wrote, “Remember, Or, failing that, invent.”

Monique was telling us how to find our history.  In this fourth installment of The Julian Series, which can be read on its own, a lesbian love story is set against the historic backdrop of life in 1956. It is rife with specific detail of place such as snowflakes falling on your face in New York City.  It also contains just enough historic detail of that time (including the news that U.S. Civil Rights icon Rosa Parks refused to sit at the back of the bus in the mid-1950s).

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The novel tells us that at the same time, it was illegal for LGBTQ people – labelled “Queers” and not in a positive way – to exist.  The subtext of the novel tells us something more important – not only did we exist but we were part of history. When the two women return from a time in Paris to New York City, they are grappling with the reality of being blackmailed by someone who has found out about the fact that they are lovers. Juliana, who is an internationally known singing sensation, is lovers with Al, short for Alice, who has put Juliana on the map.

Vanda deftly writes about Al looking at Juliana in a passage that basically says it all:

“She moved toward the center of the stage, and my heart fluttered to the sound of her heels lightly clicking against the wood. She had her hair done up in a bouffant. And, oh, how lovely she looked in her Evan Picone pencil skirt and double-breasted blouse, the pointy collar sitting up against her neck, highlighting the short hair in back and the small silver earrings sitting delicately on her earlobes. I wanted to run up on stage and pull her into my arms and . . . She wasn’t even looking at me. I wondered if she knew I was there, but . . . No, we couldn’t risk even a careless glance among our own. The whole world had suddenly become more dangerous.”

As the story came to its inevitable conclusion, it landed on me with an emotional thud. There is a term in creative writing called an emotional reality, and this is an example of it. In my reader’s mind, Alice and Juliana existed even though they were fictional characters. On a deeper level, this means that we existed.

 

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To read Vanda’s review of my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon) click here.

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I was delighted to read this review in Sinister Wisdom, A Multicultural Lesbian Literary & Art Journal! These paragraphs are from the end of the review.

 

In this modern, provocative, deeply layered book, Mason presents allegory as powerful knowledge: how far or how little we can see and use this knowledge—depending on perspective—tells us how far we have come or how far we have to go—perspectives are the choices written between the lines, illuminating a different kind of spiritual guide, born from matrilineal teachings and ideas passed down and remixed into an inclusionary spirit of today, Mason uses exquisite story-telling skills to envision a place where a more just and equal world can co-exist with all its differences.

As the premise of the LGBTI movement as coalition goes, our alliances with different genders, colors, and religious belief—; Mason teaches us with a grace and vision as exquisite as it is otherworldly fun.

THEY reviewed in Sinister Wisdom, A Multicultural Lesbian Literary & Art Journal (http://www.sinisterwisdom.org/ ) by Roberta Arnold

To learn more about my novel THEY, a biblical tale of secret genders (published by Adelaide Books New York/Lisbon), click here.

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