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(I presented this novel excerpt at the Unitarian Universalist Church of the Restoration in Philadelphia where I am a lay minister.  The segment is also on You Tube. Click here  to see the video or you can view the segment below and below that on this blog, you can read the excerpt. (At the bottom of this post is another video link to YouTube featuring me reading from a different part of Art — and talking about the Saints.)

Unitarian Universalism is a faith that encompasses all religious/spiritual backgrounds (including atheism, agnosticism and Buddhism) in a “free and responsible search for truth and meaning”.)

 

This excerpt is from a novel that I wrote recently titled Art: a revolution of love and marriage.  The novel is based on the working class landscape in which I grew up and takes place in the seventies.  The main character is named Art and is based on a real person (who is not me). So here is a short excerpt from her story. The Supreme Court ruling in favor of marriage equality is a good hint at the happy ending.

 Art, a revolution of love and marriage

Art strode from the counter, past the grill and the fryers and into the backroom.  She tore her yellow headscarf off triumphantly as she clocked out.  Then she put on her sweater and her padded royal blue jacket. She slammed the metal back door behind her.

The sun was setting. It was about ten after five.  Her brother was scheduled to pick her up at five thirty. Art stood behind the building. She put up her hood and looked up. The sky was streaked with violet.  Long white wisps of clouds unfurled like banners. A single bright star came out from behind a cloud.  She watched it for a moment.  It stayed in one place so she knew it was a star, not an airplane.  It was bright enough to be a planet: either Jupiter or Venus.rainbow love

She thought about the fact that the star was light years away.  Maybe her junior year physics teacher was right.  Perhaps they were made from the stars they wished on. Most of the atoms spinning around in her body were made from stardust. Art would never admit it — in physics class last year, she had just rolled her eyes along with the others — but the fact was that she did have dreams.  She wished that she could be with Linda forever. She wished that Linda’s mother would stop telling her daughter that it was a waste of time to study trigonometry and that she would stop telling Linda that her life was going to turn out just like hers. She stared at the star.  It was so bright that it seemed to be burning a hole in the winter sky.  She wished she and Linda could make a life together.  She wished they could get married.  She wished that they could even have a kid or two. But first they had to get through this last year of high school. Getting into the trig class would be easy compared to the rest.

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In this post, I wanted to give you a preview of my novel THEY, a biblical tale of secret genders.  Three sections have been presented at the Unitarian Universalist Church of the Restoration (in Philadelphia).  The YouTube videos are below.  Short fiction excerpts of the novel have been published in several journals.  And one journal nominated a section for the Pushcart Prize.  The links to the journals are below the YouTube videos.

THEY is a novel based on the Bible (with some creative interpretations) and — in this version — has gender fluid, intersex characters.  It also includes some strong female and gentle men characters who act on their passions and, in some instances, live as LGBT people.  But the novel (which also includes some carry overs from goddess culture) begins somewhere in the time period of 800 to 600 bce (before the common era) and that was definitely before labels!

The three YouTube videos below are excerpts from THEY  are in consecutive order from past to present.

 

 

 

 

You can also read an excerpt, written as standalone short fiction, in the online literary journal BlazeVOX15

Another excerpt is in the recent issue of Sinister Wisdom — the fortieth anniversary issue

A different excerpt is also in the aaduna literary magazine  (this excerpt was nominated for a Pushcart Prize)

Text excerpts from THEY and my introductions presented at UUCR (Unitarian Universalist Church of the Restoration) can be clicked on below.

To read the text to the “Descent of Ishtar” and the introduction (where I talk about ancient Babylon), click here.

To read the text to “Forty Days And Forty Nights” as well as my introduction, click here.

 

 

 

 

 

 

 

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Yesterday morning at the Unitarian Universalist Church of the Restoration (in Philadelphia) I did a talk titled “Entering The Mystery.”  This talk was part of a larger service on “New Member Sunday.”

You can view the YouTube video below.  If you prefer, you can read the piece below the video. Thanks!

 

Good morning

 

“Janet?  Janet joined a church?”

I overhead this a few years ago when I was downstairs.  A woman I had known casually for a few decades through the women’s community was talking to my partner.

Her comment wasn’t judgmental or skeptical.  Rather it was innocent and incredulous — or maybe it was simply factual.  Was she hearing things correctly?

Could Barbara had said this? Was it true?

This was after a service when several members of the Anna Crusis Women’s Choir joined the Restoration Singers on Music Sunday. Our music director, Jane Hulting, formerly directed the Women’s choir and stays in touch with the “Annas.'”

Of course, I found the comments of this “Anna” amusing.

But I’m the first to admit that I’m an unlikely church member.

When I joined Restoration about four years ago, it was the first time I had joined a church.  I was raised secular – but always knew myself as a spiritual person.  Like many, I was distrustful of organized religion.

In one of my earliest spiritual memories, I remember standing on the beach as a child — having lost my parents — and looking out to the waves and praying to an amorphous and genderless “God” that I find them.  Then I turned around and my mother was walking toward me.

I played the guitar as a child, and in fifth grade sang “Like A Bridge Over Troubled Water” on the stage. The song has always had resonance for me.  Then as an adolescent, I crossed my own troubled waters.  Perhaps it was my spirituality that got me through.

When I started coming to Restoration, the time was ripe for me.  I discovered a religion that shared my values.  I had a life-time of alternative spirituality behind me and found a place that wasn’t rigid or narrow where I could explore traditional spirituality.

I also found a spiritual home for my partner and I.

Last week she said to me after we came home from the service that it was really wonderful that we have such a nice church to attend together.

There are so many people from the wider communities that we belong to here at Restoration. And there are so many others — who I wouldn’t have met otherwise.  It is good to be together.

It is good for me to be connected to all of you, to this Beloved Community – and to be connected to hope.

Shortly after the election, I heard a short segment on National Public Radio about how people in the United States tend to be divided into red and blue states and experience sameness rather than diversity.  They often don’t know the stories of anyone who is different from them.

Diversity helps to build empathy.

It also creates hope.

I really cherish being part of the diversity here at Restoration.

As a writer and as a creative writing teacher, I know that our stories are sacred. I spend much of my time alone and am fortunate in having a partner who respects my need for aloneness.  Solitude is necessary for a writer but so is being in the world – to a lesser extent.

I’ve been a reader all of my life.  As a child, the whole world opened up to me when I learned how to read.  I was described as a bookworm – as a child and as an adult.

Restoration’s emphasis on books drew me in as did its diverse and welcoming community.  But coming here most Sunday mornings is different than spending my time writing and reading. By coming here, I am part of a community that is connected to the world and to the cosmos.

A year ago, I would have said that the diversity of the congregation was important – today I know that it is absolutely essential.

As I mentioned, I was raised secular. Religion is still a bit of a mystery to me.  Everyone’s reason for joining a church is different.  I suspect that each person joins Restoration for a reason that might end up being different from what they may have thought originally.

Welcome to the mystery.

 

 

–Namaste

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“Light” a short fiction excerpt from my novel “Looking at Pictures” was just published by Five:2:One Magazine.  You can read a brief excerpt below which links to Five:2:One Magazine.

Light
(June, 1926)

On the left bank of the Seine, a boulevard wound around. It was lined with hotels and shops with tall windows and wrought iron railings. Tina turned down one side street and then another. Then she saw him again: the old bent over man with the large format camera on a tripod. He walked along the street like a crooked stick in his black cloth jacket. Tina hung back so he wouldn’t see her.

He stopped and set up the camera. Tina stood still and watched. He surveyed the scene in front of him. First he angled the camera toward the empty chairs on the street outside of the cafe. Then he moved it so that he was looking at the empty street in front of the cafe. Far in the distance was a street light. In front of the street light, black branches of a horse-chestnut tree filtered morning light. A dark wet spot glistened on the bare pavement in front of the empty chairs. The cafe owner must just have been outside with a bucket of water. The cafe would open in an hour or two. These chairs would be full of people having brunch. Conversations and arguments would ensue. The poor artists of Montparnasse would be renting tables by the hour because they couldn’t afford studios.

The old man seemed oblivious to what might happen — as if he were as captured by the moment as much as he captured it.

read more at Five:2:One Magazine…..

 

Looking at Pictures is the novel that I spent last winter writing. It gives us a glimpse into the loves and lives of well known artists and ordinary people, both queer and not, all of whom live outside the box.  It is a novel influenced by history — it takes place in 1926 — and by the people who lived in that time.  Many of the characters are actual artists, including fine art photographers.

This novel was inspired, in large part, by the work that I have been doing with Jeanette Jimenez on the archive of her father Alexander Artway (an architect and photographer who photographed New York City in the 1930s). The archive is extremely interesting and the photographs brilliant!

The first short fiction excerpt –titled Looking At Pictures — of my novel was published by devise literary and is partially excerpted below. Very shortly after I finished the novel last Spring, I heard from David Acosta (formerly known as Juan David Acosta) who invited me to be one of the readers at his new series at Casa de Duende. The piece that I read was a chapter set in Mexico which features the characters Frida and Tina.  The YouTube video, below, includes David’s wonderful introduction. If I were to rate this YouTube piece, it is definitely PG-plus.  It’s called “Ecstasy” and is influenced by lesbian sex, philosophy and LOVE.

 

Fiction: Looking at Pictures

Issue 1.2

by Janet Mason

(May, 1926)

Tina looked at the image in front of her and wished she still had her camera.

She was walking along the deepwater port looking into the hold of a ship that had backed up to the cement pier. She could see both levels. Initially she assumed that first class was on the top and that steerage was down below.  Then she noticed that the people below were almost all women and children.  They looked like immigrants from Europe wrapped in their drab shawls and holding their squalling infants.  None of them looked up.

……read more at devise literary

 

Ecstasy“@ Casa de Duende:

 

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This morning at the Unitarian Universalist Church of the Restoration (in Philadelphia) I did a talk titled “Becoming a feminist.”

You can view the YouTube video below.  If you prefer, you can read the piece below the video on this blog. Thanks!

 

 

Recently I was walking in Chinatown. It was an unseasonably warm night so I had my jacket open.  An older conservatively dressed white woman was walking toward me.  I saw her staring at me — trying to figure me out, a lesbian over six feet tall with short hair.

I saw her reading the large words on my t-shirt that read “Unite Against Hate.” She looked at me with disgust.  If the look on her face had words, it would have said, “Who do you think you are, uniting against hate?!”

Her look prompted me to glare back with the thought, “Really?! — you want to take me on?!”

fist_logoThe moment passed and we went our respective ways. Maybe it was because of my background in martial arts that I felt so empowered, so self-confident. I didn’t stop to remember that it was decades ago when I earned my second degree purple belt.

Since the election I have been filled with such moments of good old fashioned lesbian rage. But I am also a practicing non-violent Buddhist, so I have had a few things to figure out. One of them was why fifty-three percent of white women (including college-educated suburban white women) voted against their own interests.

There are some initially easy answers — these women are most likely married to conservative white men and they are identifying with their race and with their husband’s income rather than as women — an oppressed class.

Denial is strong. But reality is stronger.  More than a third of these marriages will end in divorce.  And a fraction of these women will end up in the already overcrowded and underfunded battered women’s shelters. I am not wishing this fate on anyone — I am merely stating a statistical reality.

Two wrongs don’t make a right. So I have compassion for those who voted against their own interests. I just finished reading Gloria Steinem’s latest book My Life On The Road. The book is full of revelations and I do recommend it.

When I read Gloria’s statement that you have to stand up for your own rights, before you can stand up for others — it gave me pause.feminist-fist

Gloria Steinem’s words made me reflect that I am fortunate to be among the women and men, along with those who identify with a different gender, who do get it about feminism.

Gloria is a lifelong beacon for me. It is because of her that all women are a little freer. I grew up with Ms. magazine in the house.  I went to rallies with my ahead-of-her-time feminist mother who I wrote about in my book Tea Leaves, a memoir of mothers and daughters.

My working class, heterosexual, feminist mother saw to it that her only daughter would be a feminist.

Despite the fact of my gender-neutral childhood, I lived in the larger society. To counter the message that women are second class citizens, I had to go through a period of consciousness-raising. When I look back, I can recall a few “aha” moments.

 

  • In elementary school, I got into a fist fight with a boy who backed down because he didn’t want to risk punching me in the stomach, because in his words, “I wouldn’t be able to have babies.” Of course, this made me even more furious!
  • When I was in junior high, I had a math teacher who only called on the boys.
  • In my early twenties, I went to an exhibition of women artists at the Pennsylvania Academy of Fine Arts. During the exhibition, it suddenly occurred to me that all of the art shows that I had seen previously had exhibited artwork that had been done mostly if not exclusively by men.

Aha!

It is my hope for all women to have their own “aha moments.” Maybe, for example, the majority of women might realize that reproductive rights (including abortion) should be a Goddess-given reality — rather than a reason that women should be imprisoned.

Hating others is not the same thing as standing up for yourself.

It is my practicing Buddhist and Unitarian Universalist informed hope that ALL will be able to truly stand up for their own rights and then stand up for others.

NAMASTE

 

 

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Through email interviews I have gotten to know Len Lear, who edits and reports on “Local Life” for the Chestnut Hill Local in Philadelphia.  As a result of his thoughtful questions, I not only have gotten to know Len but I have gotten to know myself on a deeper level. A young man in my Unitarian Universalist church, mentioned that we are all large gems illuminated by beams of light (the 0ther people) shining through us.  Len is a beam of light for me.  This is a thank you to Len for his support of my teaching and writing.  Len has interviewed me three times in the past five years.  The articles are excerpted below with links to the Local.

January 5, 2017

  • What are the mistakes most common among those who want to be published authors?

 

“One of the most common mistakes is in giving up before you get started — or giving up at any point, actually. Another mistake is taking rejection personally. Read the journals you submit to and make sure your work fits, but always understand that the business of writing is just that. It is not personal.”

Click here to read more in the Chestnut Hill Local

March 18, 2016

“Tea Leaves” also received a “Goldie” award from the Golden Crown Literary Society, and Janet received an extremely prestigious Pushcart Prize nomination recently “out of the blue” from a publication called aaduna (aaduna.org), which published an excerpt from Janet’s novel that she is currently revising titled “She and He.”

The novel is inspired by the Bible, goddess-oriented cultures in ancient Babylon, Janet’s practice of Buddhist mediation and her reading on transgender issues. Many of the characters are intersexed (born with both male and female sex characteristics).  The excerpt published in aaduna is titled “The Mother.”

Click here to read more in the Chestnut Hill Local

Click here to see a video of Janet reading from THEY (formerly She and He) at the Unitarian Universalist Church of the Restoration where she is a lay minister (in Unitarian language a “worship associate”).

Click here to read an excerpt of THEY titled “Becoming Thomas.”

May 2, 2012

“I have always been a writer,” said Mason. “It is almost as natural to me as breathing. As a child, I was always making up stories, and often I wrote them down. I think writers experience the world differently than other people; we escape into imagination and then come back and explore what intrigues and haunts us. We make sense of things by writing about them. This was very true in the writing of ‘Tea Leaves.’ I wrote about my mother’s final months and my experience in caring for her.”

click here to read more in the Chestnut Hill Local

 

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This is my tribute to the holidaze — proof that #WeAreAmerica — and that diversity if fun!

In this first video we had Unitarian Universalist bookends on our day of festivities in Mt. Airy which began with an alternative xmas play (with my partner Barbara Drumming) at the Unitarian Universalist Church of the Restoration on Stenton Avenue where I attend services and am a lay minister. Afterwards we went to the Mt. Airy Art Garage’s holiday sale in the neighborhood where our friend Gloria regaled us with some really beautiful singing. And that evening we went to the Solstice celebration at the Unitarian Society of Germantown which is close to our house.

 

 

On December 24th (the first night of Hanukkah and Xmas Eve) we went to the Gershman Y event in Chinatown. Barbara who has always wanted to go was looking at a photo of the stand up comics in a mailing — and when she saw Julie Goldman she exclaimed — “Who is that guy? I know him.”  It turned out that the “guy” was Julie Goldman (who we first saw on The Big Gay Sketch Show on Logo — impersonating Liza drunk) and boy is she hilarious!

 

 

 

 

 

We saw Paint the Revolution, Mexican Modernism, 1910-1950, at the Philadelphia Museum of Art.  It is a truly awe-inspiring exhibition and is showing through January 8th.

When you get blue, remember that #WeAreAmerica and get busy making art and embracing your life!

Happy New Year!

 

 

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