Note: This piece is airing worldwide this week on This Way Out (TWO), the syndicated LGBT radio show. Click here to listen to the entire show.
(TWO is the first international LGBTQ radio news magazine.)
I was just telling a friend that the Left Bank of Paris in the 1920s and 30s – and the lesbians that still live on in history and my imagination — is my favorite era. Then a copy of Never Anyone But You arrived. This book is heralded as “A literary tour de force,” is written by Rupert Thompson and published by Other Press in 2018. The writing does live up to its reputation and, just as importantly, the story holds together.
As the novel wanders through Paris, the reader glimpses cameos of legendary places and people – most notably the bookstore “Shakespeare and Company” run by Sylvia Beach and her partner Adrienne Monnier. But as I turned the last page and wiped the wetness from my eyes, I realized that it wasn’t the history that got to me. It was that the author exquisitely captured the life time of love that existed between these two women who are actual historic figures.
The story opens in 1909 when teenage Suzanne Malherbe and Lucie Schwob meet, fall in love and scheme about how to have a life together. Through a series of events, Suzanne’s mother marries Lucie’s father. This renders the two teens step sisters, a convenient cover for the social mores of the time. Suzanne paints and Lucie writes.
The two “sisters” reinvent themselves with male names. Lucie takes the name Claude and Suzanne goes by Marcel. They move to Paris (from a provincial town in France where they were from) and become involved with the Surrealist movement. In the 1930s with anti-Semitism on the rise (Claude is from a Jewish family), they leave Paris for the island of Jersey, off the coast of France, where eventually they are forced to deal with Nazi occupation.
Along the way are interesting asides, such as this quote from the well-known writer of the time and place Djuna Barnes, who described Paris as having “the fame of a-too-beautiful woman” meaning that as Thomas wrote, “One could be overwhelmed by Paris. One could become sated. And it was hard for a city to retain that kind of allure.”
Early in their relationship when the two girls chose their male names, the author writes:
“And then, in a finger snap, my new name came to me, the name that would be mentioned in the same breath as hers, and it flew straight from my brain into my mouth and out into the air. “Marcel Moore.”
“What?” Claude too, it seemed, had been in something of a trance. I repeated what I had said. Marcel, after her uncle. I had never met him, but I admired him, both as a writer and as a spirit. And there was another factor. Marcel was a man’s name, and yet it sounded feminine. I liked the way it loitered between the genders, as if it couldn’t make up its mind. Claude was nodding. “And Moore?” “It’s an English name.” “You wanted to set yourself apart … “ “Yes.” Though the truth was, I had chosen the name to appeal to the Anglophile in her. Also, she claimed she was related to George Moore, the Irish novelist. “How did you think of it?” “I don’t know. It just arrived.” Claude leaned her elbows on the table, her slender forearms upright and considered me. “Marcel Moore,” she said. “That sounds like someone I could love.”
The novel covers a fair amount of history. And while it is obviously well-researched, enlightening and the thing that first hooked me, it was the love that I remember, the love between these two women Suzanne and Lucie and the names they gave themselves, Marcel and Claude.
To learn more about my novel THEY, a biblical tale of secret genders (just published by Adelaide Books New York/Lisbon), click here.
Living in the Layers — #LGBT life and literature #commentary on This Way Out
Posted in LGBT Book Reviews, tagged book reviews, Janet Mason, Janet Mason author, John Garabedian, lesbian, Lesbian book reviewer, lesbian commentary, lgbt, LGBT comentary, radio, Syndicated LGBTQ radio, Tea Leaves, Tea Leaves a memoir of mothers and daughters, The Harmony of Parts, This Way Out on October 8, 2017| Leave a Comment »
Note: a version of this review is being aired this week on the international LGBTQ radio syndicate This Way Out, headquartered in Los Angeles. To listen to the entire news wrap, click here.
I was having a spirited, if heated, debate with an older colleague of mine on the bus in New York City. She was insisting that by looking at life through a queer lens, that I was limiting myself. My voice got louder as I explained that when I listened to her advice, I felt erased.
Another woman on the bus – who apparently had been listening intently — interrupted us to tell us that we were almost at our stop.
I said to myself that I understand that not everyone gets everything. So I decided that nothing gay was going to pass my lips for the next several hours. We went to our meeting in Harlem and then on the way back, as the bus detoured around the Puerto Rican Day Parade, my colleague got into a conversation with a woman sitting in the seat in front of us. The conversation led from the detour to the list of parades that the woman – a lifelong New Yorker – talked about. She was blasé and ended by mentioning the [quote] gay parade. I simply smiled. But my colleague muttered, “isn’t anyone normal anymore?”
The woman she was talking to – who was probably in her sixties somewhere between our two ages – looked at her calmly and said, “Anyone can start a parade. All you need is a permit. You can start your own parade.”
At this point, I still remained silent. But my suppressed laughter nearly propelled me into the aisle. Fortunately our stop was soon. As I disembarked, I remarked to myself that the world really has changed. Ten years ago, I would have had to contend with both of them being homophobic.
My colleague and I have since gone our separate ways. But the fact is that she initially had a point – even if my ire got the best of me. All of us – who identify as LGBTQ – lead multi-layered lives. I was reminded of this when I read John Garabedian’s book, aptly titled, The Harmony of Parts. Written with Ian Aldrich, the book was published in 2016 by Orange Frazer Press.
I learned a few things from reading the book. One was about the radio industry. John was a top forty radio jock en route to his dream of owning his own station – a goal which he reached and after that took a foray into television. I thought about his statement that baby boomers wanted music that was not only good but a reflection of their social values. This statement is true.
John is Armenian-American, the son of an Armenian immigrant mother who taught him to pursue his dreams. John is also bisexual. And both of these identities made him feel different growing up. Also, he writes about growing up in an earlier era when masculinity was different:
“Back then, fathers weren’t expected to be affectionate. There was a certain ‘manhood’ they had to live up to. Get a good job, provide for your family, keep to yourself. Men didn’t hug or show affection back then, it was regarded as queer. Not a lot of ‘I love you.” Oh sure, I thought he loved me. I know he was proud of me, but he never felt comfortable saying those things. It just wasn’t in him to be affectionate. He didn’t feel it was manly.”
The book illustrates that radio is an extremely volatile industry. Many of John’s positions ended abruptly. At least in one instance John was fired from a radio show because people – specifically advertisers – found out that he was in a same-sex relationship.
John started his radio career in the late 1950s and early 1960s, around the same time he fell in love with another man. He writes, “Clearly I was in love, but uptight and timid about letting the world know about it. In 1961, homosexuals were generally regarded as perverts, rapists, and child molesters. Any sexual act outside of heterosexual intercourse in the missionary position was illegal in Massachusetts as a ‘crime against nature’ and punishable with serious jail time. I still did care what the world saw and what it thought of me. But I worried about what Joe thought, too, I didn’t want him thinking that I was a wimp.”
This is a book about many things – about pursuing your dreams and how family can be a strong part of the drive that is necessary as well as offering love and support. It is also a book about the radio industry and musicians he interviewed and how their music can change the world. I’m a big fan of the gay-icon Lady Gaga and, in full disclosure, was pulled in by her back cover blurb that, “If it weren’t for John Garabedian, no one in America would know who I am.”
It is also a book about honesty and passion and how that, too, fuels us. But most of all it is a book about a multi-layered life.
The Harmony of Parts contains some important life lessons – especially when it seems that there will always be individuals who look down on others – whether it be through the lens of homophobia, anti-immigrant sentiment, racial and ethnic discrimination – just to name a few biases. The book ends with John’s refrain that he signed off with for more than forty-five years: “Learn from yesterday, live for today, dream for tomorrow, but most important, be your dream.”
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