As part of an annual Unitarian Universalist service titled Poetry Sunday, I revisited what poetry means to me and read a poem by Mary Oliver. The talk is on YouTube and below the video is the text.
When I think about poetry and what it means to me, I think first about the image. There are many things that attract me to poetry – the immediacy of reading about another person’s experience which is often so direct that it feels intimate is one, the way the poem lies on the page – a kind of dance between the text and the white space is another, but most of all I think of the image and how the image is the most immediate way to convey the beauty of the world. Before I was a prose writer, I was a poet; before that, I was a photographer, which I still am. It seems I used to do many things. But I reconsider. Perhaps what I used to do is with me now in the things that I do. Perhaps when I am writing prose, I am influenced by the rhythms of poetry. Perhaps when I take a breath, it is all there too.
Take a breath with me; together we will feel the beauty, the vastness, the stillness, and the sound of everything.
We’ll start now and breathe to a count of three
(ring bell – beginning and end)
Thank you.
After her recent trip to Maine, Maryellen was mentioning the magic of seeing a loon. I remembered from my trips to Maine’s coastal areas, seeing this air and sea bird and remembering its long graceful dives from the sea air down under the gray waves of the ocean where it would catch its food.
After Maryellen and I talked about doing this Poetry Service together, I was delighted to find this poem by Mary Oliver, a Unitarian Universalist as well as a prominent author. Let me read it to you now.
The Loon
Not quite four a.m., when the rapture of being alive
strikes me from sleep, and I rise
from the comfortable bed and go
to another room, where my books are lined up
in their neat and colorful rows. How
magical they are! I choose one
and open it. Soon
I have wandered in over the waves of the words
to the temple of thought.
And then I hear
outside, over the actual waves, the small,
perfect voice of the loon. He is also awake,
and with his heavy head uplifted he calls out
to the fading moon, to the pink flush
swelling in the east that, soon,
will become the long, reasonable day.
Inside the house
it is still dark, except for the pool of lamplight
in which I am sitting.
I do not close the book.
Neither, for a long while, do I read on.
***
It is the memory of the image and the image itself, the poem – the words and the white space on the page — that connects me to the word and the world.
–Namaste—
For more information on my most recent published novel Loving Artemis, an endearing tale of revolution, love, and marriage, click here: