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I’m delighted that Thimble Literary Magazine published my memoir excerpt “Dancing The Polka.” This is a piece for my memoir that I am currently shopping around, titled LOST: a daughter navigates father loss and discovers what it means to belong.

Dancing The Polka

BY JANET MASON

“It’s beautiful out here! Watch the ground—it’s bumpy,” I cautioned as I walked over the lawn—which I suddenly realized was a hazard—with my hand in the warm, pliant crook of my ninety-seven-year-old father’s arm as I steered him into the day. It was late summer in the year before he died. Usually, my father sat quietly in his trash-picked chair in Jean’s living room which was decorated in a way my father described as “artistic.” Years after my mother had died, my father met his lady friend Jean.

We came to Jean’s house that afternoon, like most afternoons, after we ate breakfast at the Diner. Jean’s house sat on a large lot where she had planted ivy on the front lawn. Also in her nineties, a few years younger than my father, Jean loved to garden. Since it was a corner lot, there were only neighbors on two sides, and they divided her yard from theirs with chain-link fences. She had planted flowers on both sides next to her side of the fences. Magenta chrysanthemums were about to burst into bloom. In the back left of the yard, behind the clumps of flowers lining the fence, she also had a well-tended vegetable garden behind a homemade wire fence (“to keep the bunny out”). My father usually sat in the living room, but he came out to the garden with me this one time.

We were in Levittown, the land of working-class suburban conformity where I came from. I, along with my partner Barbara, was on one of my weekly visits to see my father. My father still lived in the same house where I grew up, around the corner from Jean. I grew up feeling different—and I was—and it wasn’t a place that was easy on people who were different, so I got out as soon as I could. When I was there, I felt like I never belonged. But I never would have questioned my place in the world when I was with my father.

My father died when he was ninety-eight, so he was elderly for a long time. When I was with my father, his well-being was my only concern. I didn’t think of it then but looking back I see I belonged then. I belonged to my father. I see now, in my single-minded focus on him, I also belonged to myself also.

I first started holding his arm, years after my mother died, when he was about seventy-five years old. He was resistant at first, insisting he could do everything by himself, without any help.

‘You’re pushing me. You’re pushing me,” he said loudly once when I was holding his arm on a ramp in a crowded community theater. He was in his late eighties at the time. Since I was larger than him, I was concerned people would think I was committing elder abuse. Over the years though, I kept holding my father’s arm and helping him. Eventually, he began tolerating my help. In his nineties, he would hold his elbow out so I could take his arm.

When Jean came along, I welcomed her presence. Many daughters might have been threatened when a potential love interest showed up for their widowed father. But I loved my father and wanted him to be happy. In the beginning, my father was happy. Later, they began to argue-Jean was very critical—and my father pointedly told me they were “just friends.”

Jean was very different from my mother. For starters, she was tiny. My mother, who died more than two decades before my father did, was the same height as my father. Both of my parents were almost six feet tall, a few inches shorter than the height I grew into. My mother was broad-minded and intellectual. Jean was conventional but inquisitive.

My partner, Barbara, usually came along on our visits. She had a close bond with Jean because she reminded Barbara of her late mother. Like Barbara’s late mother, Carmella, Jean loved to garden. Like Carmella, Jean also loved to get gussied up and go out. Jean, who was Polish American, also loved the polka, something Barbara’s mother didn’t relate to. Jean recognized a kindred spirit in Barbara, though.

“You’re Polish, aren’t you?” Jean kept asking Barbara even though Barbara had told Jean repeatedly that her mother was Italian American. This may have been early dementia. Jean developed dementia and died in a nursing home a few years after my father passed.

We couldn’t go to the home to see her because this was in 2020 during the pandemic when things were in lockdown. But Barbara commented that Jean might have dementia but “she would probably still remember the polka.”

Since Barbara is a musician, she recognized how important dancing to the polka was to Jean. Jean remembered dancing at the Polish festivals in her youth and was disappointed my father couldn’t dance with her. He was blind in one eye and had glaucoma in the other. Since he couldn’t see that well, dancing with her could have been dangerous. He might have fallen over and broken something. But Jean didn’t think about that. She just kept saying how disappointed she was.

That’s how Barbara ended up dancing the polka with Jean in the afternoons. As a drummer, Barbara also had experience dancing since her stern drum teacher had required her students to take African dance classes. Although, she still was taller, Barbara was closer in height to diminutive Jean. They both had long flowing white hair and were both enjoying themselves—especially Jean!—as they went round and round until the afternoons spun away.

Janet Mason’s book, Tea Leaves, a memoir of mothers and daughters waspublished by Bella Books in 2012. Her novel THEY, a biblical tale of secret genders was published by Adelaide Books (New York and Lisbon), also the publisher of her novel The Unicorn, The Mystery late in 2020. Her novel Loving Artemis. an endearing tale of revolution, love and marriage was published by Thorned Heart Press in August of 2022. Her work has been widely anthologized and has been published in numerous journals, including the Brooklyn Review and Sinister Wisdom. “Dancing the Polka” is her first piece in Thimble.

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For more information on my most recent novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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As part of a larger annual Unitarian Universalist service on Rosh Hashanah and mental health, I talked about how I have been taking care of my mental health lately. The talk is on YouTube and below the video is the text.

Lately, I’ve been consciously taking care of my mental health. Perhaps this is because we are increasingly living in a toxic society—so it seems to me.

Perhaps it is because I am a writer and the flip side of having the muse come to me and insisting that I write a novel in a few months, leaves a huge swirling void inside of me, where negative emotions can and do linger.

This past summer was a particularly good one (for my writing) and a bad one for me personally as the result of going so much deeper in my work was that I felt myself to be physically depleted when I was done, which was an unusual feeling for me.  I felt empty, numb, and uncharacteristically angry. The lingering effects were that I felt myself being a bit depressed or more than a bit, also unusual for me. At this point, I felt myself as being outside of my life. I felt disconnected.

Fortunately, I was able to get back on track through my routine of self-care which includes a daily walk for at least twenty minutes, avoiding all animal products, and doing a regular yoga practice. Perhaps it was my new little cat Peanut who brought me back to myself. For who can stay depressed with a morning routine of a rapidly growing young adult cat pouncing onto your chest and licking your face?

In my mid-sixties, I have come to the conclusion that I must consciously work on myself not only to survive but to thrive. All of this caring for my physical body also helps my mental health because everything is connected. After a medical scare about four years ago, I am still thankful and relieved to be healthy and to be here.

The I Am affirmations are similar to Buddhist affirmations, such as “May I be peaceful.” Except that by using the words “I Am,” the speaker and the hearer are placing themselves in the present and using positive thoughts to create what is already in them.

Now, thanks to the I Am affirmations I have found on YouTube, I have also been able to consciously raise my vibration. I can feel myself getting lighter and happier as I listen to the words.

It is thought that the I Am philosophy dates back to teachings described in sacred texts.  I learned that the first recorded use of the term “affirmation” was in 1843 by the philosopher, writer, and Unitarian minister Ralph Waldo Emerson. Emerson wrote: “Every man is an affirmation of himself.”

In some of the I Am affirmations that I listen to, the announcer says, “I am patience; I am tolerance; I am good enough; I am pure love.”

I listen to the meditations some mornings; sometimes when I am doing my yoga practice; and several times I found I am meditations that lasted all night long. The words entered my subconscious and came back to me when I needed them.

Another meditation focuses on gratitude and says, “I am grateful for the air in my lungs.”

Would you all say that with me now?

“I am grateful for the air in my lungs” …

Thank you!

This is a good reminder that I am indeed grateful for the air in my lungs.

On this Jewish New Year – as always – I am also grateful to be here with you.

–Namaste–

For more information on my most recent novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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I was reminded this week when the international radio syndicate This Way Out rebroadcast a piece on Emily Dickinson that I did some time ago as an example of the author of a banned book, about the important lesbian origins of Emily Dickinson. When I told my partner that the work of Audre Lorde was also being banned, she looked angry and said, “they are afraid of her.” You can click here and here for my recent writings on Audre Lorde.

It was previously published on Technodyke.com and aired on This Way Out, the Los Angeles-based lesbian and gay radio syndicate that airs across the U.S. and in 22 countries abroad.

Emily Dickinson and I did not hit it off on the first date. That is to say that on introduction to her work, I saw her–or rather was taught to see her–as a lady like poet writing of hearts and flowers, tendrils and vines, the stuff of which had absolutely nothing to do with my life. In junior high when I came across Dickinson’s work, I was already a hell on wheels hard drinking adolescent, a product of my 1970s working class environment that put me on a collision course headed toward disaster.

Emily Dickinson color

It was my love of language that got me through. I’ve often heard it said that poetry serves no purpose. Perhaps that is true if one takes a completely materialistic and emotionally bankrupt view of life. But the fact is that two lines of poetry saved my life: Shakespeare’s “Tomorrow, and tomorrow and tomorrow/ creeps through this petty pace from day to day.” I didn’t know it at the time, but that I could recite this part of Hamlet at will, even if I was on my way to being blasted or hung over from the night before, embedded in my mind that I would have a tomorrow. A tomorrow was not a petty thing to have: a few of my friends didn’t make it.

I wonder if things could have been different, for myself and for the close-knit gang of teenage girls I hung out with. I wonder if a Lesbian reading of Emily Dickinson could have halted our self-destruction and consequently saved a few young lives. It took a few more years for me to grow up, stop drinking and come out as a Lesbian. And when I did I found myself falling head over heels in love with poetry. Emily Dickinson was someone I returned to again and again. There was something clever, yet profound, in her verses that I memorized. The lines were deeply personal, as if they had been written just for me. I found her public personae intriguing. She was portrayed as a spinster, a recluse dressed in white, the eternal virgin who had nothing to do with men.

A few more years passed and I went to visit the Dickinson homestead in Amherst Massachusetts. I was there with a group of friends, some of whom lived in the area and were just visiting her home for the first time. It was ironic really– there we were a room full of Lesbian poets listening to the tour guide’s official wrap about the cloistered and asexual Emily Dickinson, trapped in her father’s house. There was something sinister about the house, foreboding. But behind the house, in the flower garden, was a beautiful wash of colors. And as I sat in the garden, on a white wrought iron bench, I peered through a shady grove to the neighboring house. I remember it being painted in the glowing hues of peach, at once golden and pink. There was something mysterious about this house, set back as it was from the road, directly approachable from the Dickinson homestead. If I were Emily I could not have resisted its magic lure.

I found out later that this house is where Susan Huntington Dickinson lived. She was Emily’s sister-in-law, married to Emily’s brother, Austin, and she was the love of Emily Dickinson’s life. She was Muse to Emily, her intended reader, thoughtful critic and, by more than a few accounts, she was Emily’s lover. In correspondence to Susan, Emily wrote that Susan was “imagination” itself. The two women were close friends for 40 years, and they lived next door to each other for 30 of those years.

In “Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson” (from Paris Press), the editors, Ellen Louise Hart and Martha Nell Smith, point out that over the course of their lifelong friendship and love affair, Emily sent countless numbers of letters, poems and a form of writing that Emily came to call the letter poem. And on many of these letters, placed for Susan to see when she unfolded them, Emily had written her careful instructions: “Open me carefully.”

Emily Dickinson lived at the end of the Victorian-era in New England from 1830 to 1886. After her death, any mention of Susan was carefully removed from her poetry and this essential body of correspondence was neglected. Still, even with this erasure of Susan’s name, which Emily had written at the top of so many of her poems, it is obvious that they are essentially Lesbian love poems. Consider, for example, the piece that begins with the line “Her breast is fit for pearls…”

“Susan, / Her breast is fit for pearls, / But I was not a “Diver”– / Her brow is fit for thrones / But I have not a crest, / Her heart is fit for home– / I–a Sparrow–build there / Sweet of twigs and twine / My perennial nest. / —Emily”

In Victorian New England, Emily Dickinson certainly could not mention her most intimate body parts. But she did a pretty good job of using the birds and bees as metaphor: “These days of heaven bring you nearer and nearer, and every bird that sings, and every bud that blooms, does but remind me more of that garden unseen, awaiting the hand that tills it. Dear Susie, when you come, how many boundless blossoms among the silent beds!”

To separate Emily Dickinson from her Lesbian passions is a cruel and unnecessary act. Not only does it do a disservice to Emily’s poetic genius, but it also deprives her readers of a deeper comprehension of Emily and therefore of a deeper understanding of themselves. That’s what literature, at its best, does. It leads us home.

It really doesn’t matter if Emily Dickinson ever made love with a woman. (Although my guess is that she did and most likely did so rather skillfully.) What matters is that she experienced deep rending passion, that must at times, under the circumstances, have been painful.

A Lesbian reading of Emily Dickinson places her firmly in the center of her own page. When I think back on my visit to her house, I can see her clearly now, sitting down at her desk after her daily chores were done, as she smoothed the white folds of her skirt and picks up her quilled pen. As she writes, her cheeks are ablaze with longing and desire, that essential Lesbian desire.

For more information on my most recent novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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As part of an annual Unitarian Universalist service titled Poetry Sunday, I revisited what poetry means to me and read a poem by Mary Oliver. The talk is on YouTube and below the video is the text.

When I think about poetry and what it means to me, I think first about the image. There are many things that attract me to poetry – the immediacy of reading about another person’s experience which is often so direct that it feels intimate is one, the way the poem lies on the page – a kind of dance between the text and the white space is another, but most of all I think of the image and how the image is the most immediate way to convey the beauty of the world. Before I was a prose writer, I was a poet; before that, I was a photographer, which I still am. It seems I used to do many things. But I reconsider. Perhaps what I used to do is with me now in the things that I do. Perhaps when I am writing prose, I am influenced by the rhythms of poetry. Perhaps when I take a breath, it is all there too.

Take a breath with me; together we will feel the beauty, the vastness, the stillness, and the sound of everything.

We’ll start now and breathe to a count of three

(ring bell – beginning and end)

Thank you.

After her recent trip to Maine, Maryellen was mentioning the magic of seeing a loon. I remembered from my trips to Maine’s coastal areas, seeing this air and sea bird and remembering its long graceful dives from the sea air down under the gray waves of the ocean where it would catch its food.

After Maryellen and I talked about doing this Poetry Service together, I was delighted to find this poem by Mary Oliver, a Unitarian Universalist as well as a prominent author. Let me read it to you now.

The Loon

Not quite four a.m., when the rapture of being alive

strikes me from sleep, and I rise

from the comfortable bed and go

to another room, where my books are lined up

in their neat and colorful rows. How

magical they are! I choose one

and open it. Soon

I have wandered in over the waves of the words

to the temple of thought.

                 And then I hear

outside, over the actual waves, the small,

perfect voice of the loon. He is also awake,

and with his heavy head uplifted he calls out

to the fading moon, to the pink flush

swelling in the east that, soon,

will become the long, reasonable day.

                       Inside the house

it is still dark, except for the pool of lamplight

in which I am sitting.

                 I do not close the book.

Neither, for a long while, do I read on.

***

It is the memory of the image and the image itself, the poem – the words and the white space on the page — that connects me to the word and the world.

–Namaste—

For more information on my most recent published novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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I was very excited to hear about The Home Place, Memoirs of a Colored Man’s Love Affair with Nature by J. Drew Lanham, published by Milkweed Editions and when I received a copy, read it and was not disappointed. Below is my review which I posted on Book Tube. Under the video is the text of the review. I hope you enjoy it.

When I opened The Home Place, Memoirs of a Colored Man’s Love Affair with Nature by J. Drew Lanham, published by Milkweed Editions in 2016, I expected to read the story that is described in the title. And while the book relates the magic of being in nature and that the sense of the author’s race influenced his experience, what I discovered is that this is a profound book about identity, connecting the past with the present.

In one section that particularly resonated with me of how our identities are often stumbled upon and shaped by others, in particular deeming “what is acceptable,” the author, a hybrid of scientist and poet writes:

“Black and white, good and evil—ideas harped on by religious folks, preached from some pulpit, or broadcast on television—were an ice of the pool of my consciousness. There are preconceived notions—of where I should go, of what I should do, and even of who I should do it with—of who I am supposed to be as a black man. But my choice of career and my passion for wildness means that I will forever be the odd bird, the raven in a horde of white doves, the blackbird in a flock of snow buntings.”

A professor, ecologist, and birder, Lanham traces his love of nature back to his boyhood in South Carolina where one of his important influences was his paternal grandmother who was one generation removed from slavery and was equally spiritual (some might say superstitious) and traditionally religious without seeing any contradictions.

I found myself immersed in The Home Place as if it was taking me on a literary journey on which I was eager to see what happened next.  I was particularly moved by the author’s relationship with his father, who died young when the author was in high school and whose death Lanham had not really grieved until his forties when a writing instructor gave him the assignment that evoked this book.

Reading The Home Place, Memoirs of a Colored Man’s Love Affair with Nature by J. Drew Lanham, published by Milkweed Editions, greatly enriched my life.  It reminded me of how complicated identity can be and that nature is worthy of not only respect, but reverence.

This is Janet Mason with reviews for Book Tube.

For more information on my most recent published novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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As part of a Unitarian Universalist service focusing on Environmental Justice, I revisited the concept of gratitude in the midst of chaos. The talk is on YouTube and below the video is the text.

Most mornings, for the past year, I wake up, play gratitude affirmations on my phone and go back to sleep. I continue doing it because I can feel the positive results.  My vibrational frequency is becoming higher. Just this morning the person saying the affirmations emphasized that expressing gratitude is essential for change. She also said that expressing gratitude is one of the quickest ways to experience happiness and that true expressions of appreciation are one of the most direct ways to experience the divine.

I have found that being consciously grateful has changed my life. I am grateful for it all. I am grateful for the air in my lungs. But this morning as I write, the air in Pennsylvania is dangerous to breathe. I am doing the things that I need to protect myself—such as staying indoors and foregoing my daily walk. My partner, Barbara, and I are wearing masks when we have to go out and are also checking on friends and family who have breathing conditions.

It shouldn’t be this way and it could have been different, but this is the reality of the situation that we live in.

I am still grateful for the air in my lungs. I am still grateful to be alive. I am still grateful to be living on this beautiful planet we call Earth.

As we can see from the realities of climate change, or climate devastation as some call it, we are living in a time that requires change. It is sad—for many reasons. But it is also the reality we live in.

When I was going to a plant-based diet, for health reasons—now almost four years ago—I heard the motivational speaker and author Dr. Will Tuttle say that animal agriculture is responsible for more greenhouse gasses than the entire transportation sector combined.

I’ve also heard and experienced that people following plant-based diets feel better because they know they are helping the planet and the animals as well as themselves.

Going to a plant-based diet has changed my life. I am here, for starters.

I feel like the gratitude affirmations work better for me because I now am more open to messages from the universe because I no longer have the suffering of animals in my body. We are living in a time of change–and to be around to be part of that change and to witness the change requires us to take care of ourselves—now, perhaps more than ever—and that includes our mental health.

Taking care of my mental health has led me to listen to the gratitude affirmations. I have the same impulses as any other human animal.  Because of our ancient fight-flight response, it is more natural for human beings to be negative than positive. But we can train our brains to respond more to positive stimuli. The complexities of neuroscience are simplified in the statement that neurons that fire together wire together.

Since I am rewiring my brain to be positive, I see the signs of positive change rather than simply observing all the negative things and becoming depressed. I am delighted when I see the electrical outlets resembling gas pumps that are popping up here and there to fuel electrical cars. When my partner, Barbara, and I run errands in our hybrid and I see food trucks that offer fresh fruit and fruit smoothies without scary dairy, I am equally excited.

The earth is changing. In many ways, it is protecting itself from further harm. When we change with the earth instead of clinging to the old ways that harm ourselves as well as the earth, we are part of the change. I am deeply grateful for being part of the change just as I truly appreciate being here with all of you.

I am going to end with a mantra or a prayer:

May the earth and all her inhabitants be healthy. May we all be free.

–Namaste–

For more information on my most recent published novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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To celebrate being a vegan (I do think it helps to be cooler in the summer and it always helps to feel better!), I’m posting this book review that is on Book Tube. I was excited to hear about this book and I thoroughly enjoyed it! You can view the review below or read it below that. I hope you enjoy it.

Badass Vegan

Fuel Your Body,

Ph*ck The System,

And Live Your Life Right

By John Lewis

When I heard John Lewis (who also goes by BADASS VEGAN, the title of his recent book) say in an interview that all vegans are badasses, I was jazzed. Or maybe I should say I was juiced.

I’ve long been a badass in many ways (it was required to live my life) and I love the idea of being in my sixties and being a badass again. As a lesbian who came out in the bad old days of the early eighties, I consider it a radical act to stay healthy. After I went to a healthy plant-based diet nearly four years ago, I became aware of John Lewis (a.k.a. Badass Vegan) who shares a name with the late Civil Rights leader, and immediately connected to his compelling story and watched the movie that he co-directed titled “They’re Trying To Kill Us,” which tells the story of veganism through a hip hop lens.

Even though I’ve been plant-based for more than a few years (my partner and I have had amazing health results) and this book is written as a how-to guide for people who are new to the lifestyle, I thoroughly enjoyed the book and had a few aha moments (even muttering “Oh my God” a few times).

As a book person, I loved the feel of the big hardback in my hands, the sheen of the glossy pages, and the look of the four-color photographs. But most of all I love the title, BADASS VEGAN, splashed in large and very noticeable letters on the cover.

BADASS VEGAN is a book that will change lives. I was particularly moved by the following passage:

“As I like to think of it: I am the ordinary guy here to tell you that the extraordinary can be done. You can change your life and leave behind heart disease, type 2 diabetes, high cholesterol, high blood pressure, digestive issues, joint pain and all the other health issues that bring you down every single day. You can have the body, hair, and skin that you’ve always wanted. And while you’re at it, you can give a big Fuck You to the system that keeps you fat, sick, and tired while draining your bank account and making this planet an increasingly dangerous place to live. If that’s not badass, I don’t know what is.”

BADASS VEGAN by John Lewis from Avery Press (an imprint of Penguin Random House LLC) is a beautiful book and a helluva good read. It reminded me how amazing and radical being a vegan is. This is Janet Mason with reviews for Book Tube.

For more information on my most recent novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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In honor of my book Tea Leaves, a memoir of mothers and daughters being featured on the I Heart Sapph Books website, I am posting the first chapter below for you.

“Your grandmother read tea leaves.”

     Startled, I looked up at my mother, sitting in her gold velour chair next to the end table scattered with a few library books. From my mother’s lips, this statement was a bad omen. My atheist, Bible-burning, skeptical-of-anything-less-than-scientific mother had long been a woman who believed in nothing. 

     Superstition—even applied to a previous generation—was not admissible.

     “What did she see?”

     “Her own face, probably.” My mother shrugged. “I made fun of her and told her she was old-fashioned and superstitious. Eventually, she stopped talking about it.”

     I stopped to ponder this sliver passed to me about my grandmother, my mother’s mother, who died when I was twelve. I was thirty-four years old, and this was the first time my mother told me that my grandmother had read tea leaves.

     “Did she read them often?”

     “I don’t know. Often enough, I guess. She used to read cards, too—ordinary playing cards. She would take them from the deck and lay them out on the wooden table we had in the kitchen. An ace of hearts good luck, an ace of spades death.”

     My mother’s shudder punctuated the end of her sentence.

     She was seventy-four, the same age as my grandmother when she died.

     My mother’s matter-of-fact tone and my diversion into my grandmother’s tea leaf reading traditions did nothing to alleviate the direness of my visit. It was a Sunday afternoon in early June.  Earlier in the day, my partner, Barbara, and I had been clearing out cobwebs in the corners of the ceiling of the house that we had just bought and moved into, when I had the sudden urge to call my mother.  My instincts were right. My mother told me in an uncharacteristically faint voice that she had woken up a few days ago with a crushing pain in her sternum. 

     “I felt like I was having a massive coronary,” she told me.  

     My mother—who never believed in doctors—went to one immediately.  He ordered some X-rays, told her it was arthritis, and sent her home with some extra strength Tylenol.  When she told me this, my mind reeled. This was my mother—someone who walked four miles every day.

     “Why didn’t you call?” I had asked her on the phone.

     “I just did,” she replied.

     I didn’t argue, but the fact was that I had called her.

     Barbara was listening to me and could tell that something was wrong.  “You better go,” she said.  “I’ll stay here and take care of things.”

     Barbara has always hated change. I often joked that that was the reason we were together for so long.  We got together ten years ago when I was twenty-four, the same age my mother was when she met and married my father, and Barbara was thirty-two. Barbara was close to her own mother, who lived in Pittsburgh, six hours away from our home in Philadelphia, and often helped her out financially.

     My mother always told me when I was growing up that “You can’t criticize a man for being good to his mother.” When she and my father were first married, he would come home late from work and wouldn’t be hungry for dinner.  “I found out,” my mother would say, “that he was stopping at his mother’s house after work and having a piece of cake with her.” 

     In many little ways Barbara was a lot like my father. Just the other day, she’d left her window down in the car when I had put the air on, stubbornly insisting that she was letting the hot air out. (My father always did the same exact thing.) And shortly after we moved into our first apartment together, she went into her toolbox, took out her ratchet wrench and very sincerely told me what it was and how to use it.  I found the way that she was telling me about the ratchet wrench—“You really should know about this”—to be endearing, not patronizing.  I waited for her to finish. Then I reminded her of my summers of swing shift at the same industrial plant where my father worked, where I wore a hardhat and learned to drive a ten-speed flatbed truck.  But it was Barbara who described herself as a “femmy butch.”  I would sometimes jokingly refer to her as my “lesbian husband.”  That she was so close to her own mother meant that she understood my concerns about my own parents and in telling me that I should go visit my mother, she was right again.

     On the forty-five-minute drive over, through the tree-lined streets of my neighborhood and onto the Pennsylvania turnpike, I was in a panic about the conversation with my mother. There was something in her voice I had never heard before. A dead-end tone. A giving up. Illness or not, I couldn’t conceive of her coming to a standstill.  My mind raced. 

     The bottom of my world began to drop away.

     ***

     “You should have stayed home with Barbara,” she told me after I arrived, “and worked on the house.”

     “You know Barbara,” I said, trying to joke. “She probably got on the phone as soon as I left and is over at a friend’s house drumming by now.”

     “Barbara is a good drummer and she does know how to enjoy herself,” said my mother, nodding and then wincing from the pain of moving her neck.

      “Everything is fine,” she said, noticing my concern. “The extra-strength Tylenol isn’t working yet but it will.”

     She shifted in her chair and winced. 

     “I can make us some lunch,” I said.

     “I can do it,” she replied and struggled to stand up. 

     “Sit down,” I said, as I got up and went to the kitchen where I made a simple meal of miso soup and warmed up brown rice. She joined me at the dining room table.

     “The soup is good. You did a good job, Janet.”

     “Thank you.”

     We ate in silence for several minutes.

     “What did the doctor say,” I asked finally.

      Her lips pressed into an obstinate straight line.

     When I asked again, she told me the HMO primary physician she went to, a man whose office was in a house on the corner of the section where my parents’ lived, refused to give her a referral.  The rheumatologist, who my mother wanted to see, was a woman doctor who she saw once before and liked.  “I wrote a letter to her,” said my mother, “but I didn’t hear from her.”

     “Maybe we can call her,” I replied.  “A letter is easy to overlook.”

     The stony look on my mother’s face told me that what was going on with her body was her business, and I simply could not drop in on her life and interfere. It had been several months since I had been to visit. Barbara and I had been busy moving from the apartment that we shared for ten years to the house that we were buying, an old farmhouse with a big backyard in the city.

     My mother and my father—who was out at his monthly retiree luncheon at a nearby diner—were happy for us. In my parents’ eyes, my decision to purchase a home was the second practical thing I had done as an adult.  The first had been to fall in love with Barbara and settle down with her.

     Good-natured, likeable Barbara had definitely passed the parent test. That Barbara is a woman—my mother would later refer to her as “my unexpected daughter-in-law”—was superseded by her working- class credentials, a stable government job with the post office and membership in a union. Even my father—who at the time could not wrap his mind around the concept of a women-only dance (where Barbara and I had one of our early dates)—was won over by her genuineness.

     When we first got together, my mother hoped that Barbara would be a good influence on me with her stable government job.  After finishing college, I took a relatively low-paying job in a nonprofit editorial position and several years later left this stressful situation only to strike out on my own as a freelance writer. 

     “Why don’t you get a good government job like Barbara?” my mother would ask.  “Then you can write on the side.”  When I resisted this suggestion, my mother simply shrugged and said, “It looks to me like she wants to be rich and you want to be famous.”

     When all was said and done my parents sent me a card with a parachute on it, congratulating me on starting my own business.  Before signing the card, my father had had little to say except that it wasn’t a good idea for me to quit my job.  His advice didn’t stop me from giving notice and lining up new clients. I understood where my parents were coming from.  They had grown up poor and, as adults, made it into the working class. To them, a job was more than a job. 

     It was survival.

     When I’d arrived at my parents’ house and was folding up the paper grocery bags from the health food store and putting them away in the garage, I noticed that the garage was almost sparkling.  When I asked my mother who cleaned it, she said, “Your father.”  She told me he had been cleaning it nonstop for the past few days—ever since she woke up with the crushing pain in her sternum. This was my father’s way of handling what he could not control.  I could see him with his broom and dustpan resolutely sweeping the concrete floor, obsessively dusting and wiping down the cans of paint and his tools with an old rag—as if by the effort of his hard work he could make my mother better.

     As my mother and I sat in the living room, the only sound was the ticking of my father’s retirement clock on a high shelf, his reward for thirty-five years of working swing shift at the plant. There was more to my mother’s silence than the privacy she wrapped around herself like a woolen shawl. By not telling me about her problems, she was protecting me.  She was the kind of mother who didn’t want her problems to become her daughter’s problems. Through the years, my mother’s auburn hair had faded to reddish beige.  Now, as if it had happened overnight, her hair had turned white.  She stared at me with her green yellow eyes, cocking her head at me in an owlish curiosity.

     I, in turn, searched her face for clues.

     Was she reading her own tea leaves?

     My mother was forty years old when she gave birth to me.  When I was a child, a certain tension hung in the air.  “Did you tell her my age?” my mother hissed to me when my best friend made an off-the-cuff remark in front of her about old people.  I shook my head with astonishment and growing apprehension.I thought my best friend’s comment was innocent. I hadn’t said anything to her about my parents’ age. But she might have been repeating something that her mother said.  My parents were close to twenty years older than the parents of all of my childhood friends.  They were always the oldest parents at school functions.

     Two disparate generations collided in me. Even as my parents’ stories about WWII—my mother dancing in the streets on V-Day and my father picking coconuts in New Guinea—swirled around me, the Vietnam War raged on the television set. Born in 1959, I was a product of the sixties.  In elementary school I wore a peace sign around my neck and refused to salute the flag.  This incensed my father, almost to the point of yanking me out of my seat at a Flag Day celebration when I refused to stand up. But my mother held out her hand and said, “Let her do what she wants.”

     In my twenties, having older parents meant that I began to worry about their well-being. Even when I didn’t say anything, my mother would read my thoughts. “It’s hard watching your parents get old,” she once told me gently.

     When we went for a walk at the shopping mall, she’d comment on the older couples she saw.  “One’s in worse shape than the other,” she said, “and they’re holding each other up.  What happens when one of them falls over?”

     There was no answer to her question. How could I reassure my mother about a future of which I also lived in mortal fear?

     My mother had always been active—walking, eating healthy foods, reading widely, taking an interest in life.  But over the past several years there were signs that she was withdrawing—what the medical professionals call “shutting down” which can happen before the final stage of life. The first to go were her women’s liberation marches.  There weren’t as many of them as in the early seventies when I was a pre-teen and my mother took me with her and, later, in the early 1980s, when I encouraged my mother to come with me. But when smaller demonstrations did turn up, here and there, my mother refused to go.

     “Oh, Janet,” she would say, “you know I hate crowds.”  The flat, almost sullen tone that crept into my mother’s voice told me that she couldn’t possibly even stand the thought of marching around with a placard, gleefully chanting hey, ho, patriarchy’s gotta go.

     Then one year she decided not to plant her garden. 

     “It’s too much work,” she said, that same tone of resignation pressing down her voice. 

     For as long as I could remember, after every meal we sorted the garbage from the trash, the mulch-able from the non mulch-able, to make topsoil for next year’s organic garden from the steaming pile of compost in the backyard. My parents liked to joke that they were going to be buried in the compost pile when the time came. Each summer and fall we ate the greens, the tomatoes, the endless dishes of orange squash.  The garden was my mother’s all consuming passion, providing her with the company of other gardeners in the organic gardening club.

     Several times my mother canceled her plans at the last minute to come and see me.  All she said was that she decided she didn’t feel like coming—and then hung up.  The thought of her not being able to endure anymore—of her simply laying down and not getting up—was inconceivable.

     “After I croak,” my mother once said to me, “you may want to have a baby.  Your old high chair is in the attic. It’s in good condition.”  When I protested, both to the fact that she would die and that I would someday want to have a baby, she simply shrugged. “Sometimes it’s easier to raise a child without the grandparents around interfering,” she said.  “I’m not telling you to have a baby.  You have to make up your own mind about things like that.  But if you do have one, there’s no reason to go out and buy a new high chair.” 

     As it turned out, I did need the high chair for a lesbian friend who had adopted a baby.  When Barbara and I first got together we had discussed the possibility of adopting a daughter.  It was the early 1980s, a few years before lesbians were starting to take trips to the sperm banks.  Most of the lesbians we knew with children had them in previous marriages—to men—and more than a few women we knew had been through painful custody battles. Barbara had been briefly married to a man before we met, but had no children. On one of our early dates, Barbara looked at me with her deep-set blue eyes and told me that she’d like to settle down and adopt a child.

     Sitting across the table from her in the now long gone Mid-Town Diner in Center City Philadelphia, I remember being so nervous over such an idea that I wanted to run for the door.

     We moved in together six months later, and our life together was so full that we put the idea of adopting a child on hold indefinitely. It had been years since Barbara and I had thought about adopting a child and viewing the empty seat of my old high chair that once held my round baby bottom was not going to change it. Still, the empty high chair brought back an old feeling that it would be nice to have a daughter. When my mother referred to the inevitable—“When I croak”—she was telling me, in no uncertain terms, that her life would end one day and mine would go on. My inability to comprehend this, and the immense sadness that I felt underneath, was more than knowing I would miss her:  picking up the phone to call her with my latest success or crisis; taking pride in cooking her a special dinner that she praised; or discussing some new insight about the latest novel we both read. 

     ***

     This was all true, of course. I would miss her. Terribly.

     My mother’s death was unimaginable because she was more than my mother. She was the earth that I sprang from. She was my genesis. My creation story. Like everyone else who had not yet lost a parent, I had no idea what was in store for me as I looked at her sitting in her gold velour chair, her face drawn in on at once contemplative and indifferent. Occasionally, she was still likened to Katherine Hepburn: the inquisitive eyes, high cheekbones, candid manner. But, with age, she looked less like a glamorous young woman and more like the tomboy that she had been as a child, in the pictures I stared into growing up: bowl-cut hair, watchful eyes, stubborn chin. Her features in the photo reflected my own, yet I studied them like the pieces of a puzzle. 

     Increasingly, as my mother aged, I heard the wavering strains of my grandmother’s voice in hers.  As we talked, I recognized that under our conversation was another conversation and under that, yet another. The cadences went back at least three generations. My understanding of my mother and myself had begun with my grandmother. It had taken the better part of a century for their lives to fuse into mine—often in the form of pent-up rage gusting through me.

      My grandmother died when I was twelve.  She was a spinner in the textile mills of Philadelphia, in the Kensington section where the old warehouses were now old hulls, broken down, abandoned.  My mother grew up in this neighborhood of bustling industry—lace factories, Brussels rugs, textile mills, the Stetson hat factory, slaughterhouses full of bloody entrails and squealing animals. Devastating scenes of poverty replaced it—abandoned and crumbling houses, a tent city, homelessness, a child prostitution strip that was one of the largest in the nation. When my mother spoke of this place of her childhood, tears came to her eyes.

     My grandmother, Ethel, a devout Episcopalian, life-long Republican, and wearer of white gloves, gave birth to my mother, Jane (Plain Jane, her childhood nickname), who became an equally devout atheist (burning her Bibles in the backyard) and a Democrat.  My mother identified with the “silent majority,” but was a feminist ahead of her time, and when the women’s liberation movement caught up with her, she joined it. When I was old enough, she sometimes took me with her, the two of us marching and attending rallies, waving our matching mother/daughter coat hangers at pro-choice events. I was the less adventurous one—hanging back and watching with something bordering on amazement as my mother heckled the hecklers and squeezed the balloon testicles of a Ronald Reagan cardboard cutout.

     My mother tossed away conventions with every year that she aged. Heels were replaced with comfortable walking shoes; skirts were exchanged for trousers.  Eventually she discarded her bras for the skinny-strapped men’s undershirts that she wore under her cotton blouses and short-sleeved shirts that looked tailored on her slender frame. When referring to her mother’s insistence that she be more of a lady, my mother always said, “Who the hell did she want me to be?  Jackie Onassis?”

     My mother married my father when she was twenty-five years old—the story was that they met on a blind date outside the “Nut House”—and then they lived in the city for nearly another twenty years.  Then, when my mother was forty-four and I was four, we moved to Levittown, a suburban tract house community built in the 1950s, one part industrial village, the other part American Dream. With a hundred-dollar down payment, the houses were affordable enough, and my father worked nearby at the chemical plant, one of the two major employers in the area along with the steel mill.

     We lived on Quiet Road in Quincy Hollow (the street names in Levittown all began with the first letter of the section name) where my mother took her daily four-mile walk. “Every day I go around and around these streets like a hamster on a treadmill,” my mother would say.  As an adolescent, I fanned my mother’s frustrations into the flames of my own self-destruction. I was drinking and drugging at fourteen.  Driving at sixteen. The streets looped around my neck like a noose tightening.  For me, drinking and drugging was a form of running away. When I was five I had stored pilfered Cheerios (food for the road) in the bottom drawer of my bureau until a parade of ants sabotaged my plans. 

     During the blurred years of my adolescence, when I was still in high school, I took the Greyhound bus to New York City. I was seventeen.  It was 1976.  I had not yet come out. But as if my dormant lesbianism were a homing device, I found a subway train that took me straight to Greenwich Village. When I was back above ground, I found a newspaper stand and bought a Village Voice so that I could read the apartment listings. I was looking for Bleecker Street which I had read about in novels and heard about in songs, but found myself on Christopher Street, hungry, and looking for a place to sit. I spotted a restaurant with tall glass windows that jutted out onto the sidewalk.  It looked like a large greenhouse with clear windows. It was early in the afternoon on a Saturday.  Through the windows I could see patrons sitting across from each other at small tables. Plants hung down from the ceiling between the tables. The maitre d’ took one look at me and firmly told me that he could only seat two people together. I looked over his shoulder into the room full of, it suddenly dawned on me, men, it was all men, gay men, enjoying their Saturday brunch. I mumbled something and headed back out onto the street. Around the corner I found a restaurant where I sat down at a table by myself, ordered something to eat and opened the pages of the Voice. The apartments were all more expensive than I thought they would be and at the age of seventeen—other than mowing lawns or working the register at a fast-food joint—I had no marketable skills. So I used my return ticket back. 

     I was always intending to be on my way to somewhere else.  But the drinking and drugging just dug me in deeper. Eventually my mother gave me a few not-so-gentle shoves and I ended up being the first in my family and the only one in my peer group to go to college. I lived at home and attended Temple University, in Philadelphia, an hour’s commute away. After graduation, I moved back to the city my parents had fled from but, as a college graduate in a community of intellectuals and artists, I was worlds removed from my origins.

     Despite my need to escape, I kept going back.  Along with the practical reason of visiting my aging parents—the landscape where I grew up was embedded in me. There are many things that invade the lives of working-class people—chief among them poverty, or in my case, the constant threat of it.  There is resignation and frustration, a foreboding sense that things will never change. Then there is the internalized self-hatred, the futility of it all. 

     The air I grew up breathing in Levittown was chemical-laden. On clear days the fumes were invisible.  Overcast days, the air was a dirty glove clasped around our nostrils.  When we drove past the marsh-lined road alongside the plant, where the stench was the worst, my mother and I would hold our noses, and my father would call it “the smell of money.”

     It was my father’s union job, and my mother’s skill at managing money, that pulled my parents out of the poverty they had grown up in. Perhaps it was because of this belief in the American Dream, be it reality or myth, that I was visited with a vague shimmering presence that eventually I came to call hope.

     Economic security can be a breeding ground for denial. My mother, feisty enough to have become mythic in the minds of my father and me, had always lived in mortal fear of losing my father.  Her own father had abandoned her family when she was seven, and this no doubt foreshadowed her fear. But her concerns were practical ones. My father worked swing shift in the plant’s boiler room. Accidents happened. Growing up in the industrial northeast, I watched the plant explosions on the nightly news. Then there were the killers that were slow to strike. More than a few of my father’s co-workers were felled by cancer of all types and early heart attacks.  The summer I worked at the plant when I was in college, a man fell over dead in the guardhouse before punching out his timecard for the day—at the time, it all seemed so unfair and futile to me. 

     A spot of asbestos showed up on my father’s lung X-ray. When my mother got the news, her face paled.  My mother had always been the strong one.  She was traditional in her role of housewife—revolving her schedule around my father’s shiftwork hours, washing his work clothes for the thirty-five years he worked at the plant—but this didn’t stop her from being the one who called the shots. 

     We never expected that the hand that fed us would come out of the sky to strike her down.

     ***

     Today, my mother and I sat in her living room. It was cool in the house. My mother’s feet rested on an ottoman covered with a thread-worn tapestry.  It was a mosaic of earth-toned flowers:  rust red, silvery green, dusty blue.  Thin black lines outlined heart-shaped petals against a faded ocher background. As my eyes traveled along the lines, I saw my grandmother standing with the other women in the long straight aisles between machines in the textile mill, on tiptoe as she dropped the spindles on their spikes, crouching to check the weave, the warp, the weft. Close to half a century later my mother had taken the discards her mother was allowed to take home from the mill and carefully stitched them into a square cover for the iron-legged ottoman.

     All it took was a nod toward the tapestry, a certain look, or a made that didn’t my mother would recite the stories, the same ones she had always told, sometimes with a new insight, a different twist.  I always listened, transfixed, as she spoke.

     “How many hours a day did Grandmom work in the textile mill?”

     My mother looked at me, slightly confused. “I don’t remember.  Eight, I guess.  Isn’t that how long the work day is?”

     I told her I was reading about the labor movement and in the early 1900s, when my grandmother started working, men and women were still striking for the ten-hour day.

     “People are always bad-mouthing unions, but without them, we wouldn’t have gotten the eight-hour day,” said my father, who had come home from his plant luncheon and was settling into his favorite chair in the living room.

     My mother looked at him and then back at me. “When I worked for the Navy Department, they told us we were better than people in unions. We were white

     My father was silent. He looked at his watch and then at the turned off television. The game would be on in another hour.

     I sighed, shoulders sagging in resignation.

     Ever since I graduated from college, my mother had told me about her life like I was a stranger, her reminders sounding like admonishments: “Working people don’t have a choice about what they do for a living.  They just work.” my mother told me this, part of me wondered who she thought I was.  Being the first in my family to go straight through high school, much less to graduate from college, did not change the fact of how I was raised.  Even so, I was ashamed that my mother thought she had to remind me of the conditions of her life.

     My mother felt diminished by her lack of a college education. As far back as I could remember, she always told me, “It’s what’s inside your head that matters,” followed by, “No one can ever take an education away from you.” In graduating from college, I fulfilled my mother’s ambitions. But at the same time, in achieving what she could not, I betrayed her.

     She wanted me to have a better life than hers. But the opportunities in my life had been underscored with my mother’s resentments. To gain a better understanding of my life, I went back to research the labor movement, to read its history, its literature. Now my mother was telling me she was white collar, that she felt herself to be “better” than people in unions. 

     I took a deep breath.  My mother was just trying to lend a dignity to her life. She was brainwashed into thinking of herself as white collar and, therefore, better than people in unions. Divide and conquer is how the powers that be have kept people in their places. But our conversation was not about white collar or blue collar.  It was not about work even—or the fact that I went to college and my mother did not. We were pressed up against opposite sides of the glass divide in our mother-daughter relationship.

     My mother and I were close. We saw eye to eye on most things that mattered.  We read the same books, lending them to each other, sometimes even going to the bookstore together and deciding jointly what we wanted to read.  There were moments between us when she seemed more like my friend than my mother.

     At the same time, there was almost always an unspoken tension between us.  The things that cut through us most deeply were also the things that divided us.  There was—at least temporarily—my sexuality. When I came out to my parents in my early twenties, I was telling my mother, in particular, that my life would be vastly different than hers. At the same time, my lesbianism was a natural outgrowth of my mother’s feminism that most definitely shaped my early sense of self.

     I have always been most comfortable living in the present.  Still, the past is always there, threatening to rise up at any moment, especially when my mother—who tended to listen to too much talk radio—insisted that she wanted us to discuss our feelings.

     “We never talk about how we feel about things.  I don’t mean about books or politics or things like that. I mean how we feel about the things we say to each other,” she once said to me.  My mother who had sat on her anger all of her life, except for outbursts of breaking dishes and screaming, suddenly wanted me to discuss my feelings. She wouldn’t drop the subject and I found myself fuming.

     “Okay,” I said finally. “I’ll tell you how I feel.  When you get on me about my weight I want to kick you in the head.”

     I was shocked at the force of the words that came out of my mouth. Then I felt guilty for speaking this way to my mother. But she asked how I felt.

     My mother was silent. She didn’t ask me about my feelings for a long time after that, but she also stopped bugging me about my weight. 

     My life was too entangled with my mother’s for comfort.  An only child, I absorbed her like a sponge, losing a sense of where she left off and I began.

     The irony, perhaps, inherent in the tensions and difficulties between us, was that we were both so much alike.  Despite her increasing resignation, I wanted her to talk about her life, including her hopes and dreams that didn’t come true.  She refused and in the face of her obstinacy, I became more insistent. Deep down, I felt my mother slipping away from me. My reaction to this was despair and, beyond despair, desperation. I wanted, needed, to know about the missing pieces of my mother’s life—the puzzle that created me. The catch was that my mother wanted the same thing from me and I, too, could not deliver. 

     Each of us had, what my mother called selective memory. We only remembered what we wanted to, and fought like hell to forget the rest.

     In my teens and twenties I often reacted to my mother’s mixed messages with knee-jerk defensiveness, sometimes outrage. In my thirties, I found it easier to join her than to fight. Since my mother didn’t want to talk about her health during my visit, I turned to inquiring about my grandmother’s life.

     “Didn’t Grandmom work in a shop?”

     “A shop?” My mother looked at me like I was someone else’s daughter.

     “Yeah,” I said, “I thought she worked in a store when she was a teenager.”

     “No.  That was a job.  My mother was not educated. She didn’t qualify for a white-collar job—even to be a clerk in the store.  She only went to the sixth grade. That put up a wall right there. Though, she probably learned more in six years than they do today in twelve. In those days, they focused on the basics, the three Rs they called them—reading, writing and arithmetic. None of the extras they have today, like the psychology of your navel.

     “When your grandmother was a girl she worked in a candy factory,” my mother said, slowly and carefully.

     I remembered that this was not the first time she had told me this.

     “What did she want to do?”

     My mother looked at me as if I were insane.

     “No one asked her what she wanted to do,” she said. “She just went out and did it.”

     She stared out the rectangular living room window into the late afternoon light. One foot rested on the ottoman’s rich autumn hues. She used to swing her foot up without thinking about it. Now, as she shifted in her chair, the pain that had invaded her body compressed her face. She squinted into the distance, beyond the tract houses across the street and the identical roofs behind them. She was searching the past, looking for something she lost there. She looked like a wistful child and at the same time an old, old woman, as old as she would ever be, looking back on a lifetime that spanned centuries.

     Slowly, very slowly, she came back to the present. She stared at the ottoman.  The far-away expression left her face.  Lines of resignation weighed down the corners of her mouth. She stared at the ottoman for another moment and then spoke. “Your grandmother didn’t design that. They were all men, designers and artists, the ones who did the important work.”

     My mother’s words registered on me with the sting of her own disappointments and thwarted dreams. Her abandoned portfolio was in the back of her closet, dusty and forgotten.  The watercolors dried up into hard little squares long ago. The bristles on her paintbrushes had fallen off. The caps hardened onto the tubes of her oil paints. The pastels had lain there so long their colors rubbed off on each other, the orange laced with gray and blue, the pink with burnt sienna.

     My mother was a woman who rejected the traditions that bound her mother’s life. Before I was born, she burned her Bibles in the backyard, disgusted with the hypocrisies, the contradictions, and, most of all, the misogyny inherent in the pages that curled into ash. My mother was a woman who tried to invent her own religion and failed. A Transcendental Meditation dropout (“I tried and tried to levitate—to bounce myself off the floor by flexing my butt muscles”), she joined the American Atheists for a few years only to leave in disillusionment (“They served coffee and doughnuts and passed the plate just like all the other idiots!”). She was a woman whose ambitions had been thwarted by circumstance, gender and class. She was a woman who absorbed her mother’s pain, made it her own, and passed it along to her daughter.  When I tried to tell my mother that my grandmother’s life was worthwhile, important, I was trying to convince myself that my life, too, was important.

     “Without Grandmom, the spinners, the weavers, the dyers, without the the patterns the designers thought up could never have been made into anything,” I said. But my words were weak, unconvincing. How could they be anything else, when I was not sure of myself?  

     My mother couldn’t give me what she herself never received. “Whatever I did was never good enough,” she said to me as we sat in the living room. “I never wore the right kind of hat, and even if I did I couldn’t keep it on my head.”

     I laughed and went into the kitchen to fix myself a cup of chamomile tea. As I poured the water into the cup, I noticed a tear in the corner of the bag. A few tea leaves, crushed yellow flowers, seeped into the water and swirled around.  I stared into the white porcelain tea-cup, wondering. What kind of life would I have if knowledge and wisdom were passed uninterrupted and uncensored, from my great-grandmothers down to my grandmother, mother and then to me?  This world shimmered up at me for a fleeting moment. Then I saw the reflection of my mother’s face in mine.  The lines of resignation, her disappointments and her fears stared up at me. 

     I shuddered, then skimmed the floating leaves away with a spoon and went back into the living room. Like my mother, I was a hopeless realist and at the same time I was deep in denial.  I didn’t want to get the stray tea leaves on my tongue. Even if I could have divined the future by reading the tea leaf shapes of dark clouds and crosses, I would not have wanted to. I was wary of astrologists and fortune-tellers.  It was more than a healthy dose of skepticism. It was superstition. I was afraid that if someone told me my future, I would have no choice other than to create that destiny for myself.

     The only omens I could read were the memories of my past. When I was a child I brought home report cards saying I was an underachiever. In elementary school I came home with bit parts in plays in which my mother thought I should star. In junior high, my grades didn’t measure up to study the foreign languages in which she expected fluency.

     When I reminded her of this, she denied it.

     She accused me of wanting her to be better.

     I, in turn, denied that I wanted my mother to be anyone except who she was.

     Neither of us were as sure in our denials as we would have liked to be.

     Only one thing was certain: whichever way we turned the mirror, the reflection came up wanting. My mother was more stubborn than me. Her mind was made up. Their lives, her mother’s and her own, were wasted, good for nothing but survival. No amount of arguing or cajoling could have changed that. But she nodded her head to appease me, and by so doing acknowledged that her life was linked with mine.

You can get copies of Tea Leaves, a memoir of mothers and daughters at your local library, your local bookstore or wherever books are sold online.

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In honor of my novel Loving Artemis, an endearing tale of revolution, love and marriage (Thorned Heart Press; 2022) being featured in the Pride issue of Jae’s Pride issue of Sapphic Bingo, I’m reposting this short section of the beginning of Loving Artemis.

It is my pleasure to bring you this opening of my novel Loving Artemis, an endearing tale of revolution, love and marriage (published by Thorned Heart Press) that I read recently at an online reading. The excerpt is on YouTube and below that is the text. The novel starts out when one of the narrators is in midlife and attends the New York Pride march in 2012. This narrator sees a woman who reminds her of an old flame in her youth in the late 1970s and she wonders what made Art (short for Artemis) Art.

Enjoy!

Grace stood on the crowded sidewalk and watched the Dykes on Bikes contingent kick off the parade. The skyscrapers on both sides of Fifth Avenue echoed the roar: rage turned celebratory.
Today was their day.
Pride.
Motorcycles, full of motion, crawled at parade speed. Hands gripped controls at the ends of shiny handlebars. Engines revved.
Rainbow flags rippled red, orange, yellow, green, blue, violet. Horizontal stripes danced. The colors represented the many nationalities and ethnic groups — all of them — in the LGBT (Lesbian, Gay, Bisexual and Transgender) community. Like a telephoto lens, Grace focused in on a woman in the center of the crowd, and mirrored sunglasses stared back. The woman’s short, mahogany hair looked like it had been carved by the air, like wings. A thrill shimmied up Grace’s spine. The woman was riding slowly. but in Grace’s imagination, she zoomed. She reminded Grace of a girl from her adolescence, her lover (even though they didn’t call it that then), a girl named Art. Maybe Art had blazed through time — from high school to the present nearly three decades and a world of difference later.
Art had been short for something, but Grace couldn’t remember what. Grace had known Art so long ago that it felt like a previous life; one that Grace never talked about. No one knew about her past except Thalia, Grace’s partner of twenty-four years. Thalia was a compassionate person. She almost always saw the best in everyone. Her voice lilted. Her hair fell to her shoulders in a cascade of loose curls of silver and shades of blond and brown. Beyond salt and pepper, her hair resembled shades of light. When Thalia looked up at Grace, her hair framed her face. Her crown caught the light and a halo appeared.
When Thalia listened intensely, her deep-set blue eyes enveloped Grace. One time, when Grace mentioned that “No one believes me when I talk about my past.”
Thalia responded by saying somberly, “I believe you.”
In that moment, Grace relaxed into herself. Thalia made her feel understood. She was safe with Thalia.
Grace never mentioned her past, even to her friends. She made sure never to tell her students. What kind of example would that set?
Grace hadn’t used drugs for years and dealing them was in her past. She had come to understand that life was too precious to risk.
She had seen firsthand that actions had consequences. Even Thalia had her limits. Before becoming involved with Grace, she had been involved with a woman who had a drinking problem and who got involved in messy situations. Thalia made it clear that the relationship hadn’t lasted long.
Grace knew she was lucky

To order my most recently published novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

To see the Pride issue of The Sapphic Book Bingo, click here.

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As part of a Unitarian Universalist service focusing on transcendentalism, I revisited the concept of transcendentalism and how it has influenced my writing. The talk is on YouTube and below the video is the text.

When I think about transcendentalism, it seems like a natural fit for me. I have long had a relationship with the muse and, since I’ve gone vegan (now almost four years ago), I’ve had talking animals come to me and tell me to write down their stories. This may not be exactly the kind of transcendentalism that Ralph Waldo Emerson and Henry David Thoreau made into a philosophy within Unitarianism in the mid-1800s, but it certainly centers around the belief that “spirituality cannot be achieved through reason and rationalism, but instead through self-reflection and intuition.”

Thoreau influenced many writers important to me, especially Willa Cather. As I proceed on my writer’s journey—which started in the nineteen eighties and nineties Philly poetry scene–I increasingly feel myself being in harmony with nature—which at this period in time is in peril. In doing the research for my latest novel, I learned more about the sad state of the sea.

This past summer, I wrote a novel titled Dick Moby.  This is a rewriting of sorts of the American novel Moby Dick from the point of view of the whale who has named herself Dick Moby to remind herself she is fierce and who wants to pass on her fierceness, but not her rage, to her calf that she is pregnant with.

These few paragraphs are from a section called “Swimming Around A Plastic Island” which was recently published in the literary journal Be-Zine, in its SustainABILITY issue.

“As we swam past the island, we were on the surface. My sister and the other whales around me were silent. We gazed at the plastic island as if we were seeing a premonition of the future when all the sea might be filled with plastic debris. Even my young cousin was silent. This was her future. I couldn’t see her eyes since she was ahead of me. But I imagined a single tear sliding out of her eye.

The island stretched on and on as far as my eye could see. We would be swimming around it for a long time before we would feel free enough in the open sea to dive down deep and catch lunch. As I stared at it, I saw the plastic island glittering under the sun. If I didn’t know that it represented death, I might think it was beautiful.

I could see how a bird could mistake the plastic for a fish and eat the wrong thing. After all, the sun glitters on fish jumping out of the waves too.”

–Namaste–

For more information on my most recent published novel Loving Artemisan endearing tale of revolution, love, and marriageclick here:

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