keeping our dreams intact when we are forced to work mind-numbing jobs
This morning, Sunday September 3rd, I co-led a Unitarian Universalist service on Labor Day Weekend. The theme was labor. As part of this service, I read from my book Tea Leaves, a memoir of mothers and daughters (Bella Books, 2012).
You can view my reflection below on the YouTube video or read the reflection below that.
Good morning.
Today on Labor Day weekend our theme is labor. I immediately thought of this section of my book Tea Leaves, a memoir of mothers and daughters. This is a story about the survival of how we keep our dreams intact when we are forced to work mind-numbing jobs.
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My mother and I both stared at the iron legged ottoman, covered with a faded tapestry that my grandmother wove more than a half century ago. Whenever I looked at the patterns of the ottoman, the faded edges and the lines of darker colors, I saw my grandmother, a single mother who worked in the Kensington section of Philadelphia in a textile factory.
My grandmother was a woman of great dignity. The Episcopal Church, especially after she had divorced and returned to the city, was one of the major pillars in her life. I don’t know, in fact, that she was particularly religious. But I remember visiting Saint Simeon’s with her, and I could see the appeal of the church, especially to a poor woman who had little, if any, luxury in her life.
She might have been saying prayers that she no longer believed in as she sat there, her head bowed and covered, next to her two girls—my mother squirming in the aisle seat and my aunt sitting next to her daydreaming as she stared at the stained glass windows. The shiny brass organ pipes reached to the ceiling and looked as beautiful as sound. The pews were polished mahogany, the wood smooth and cool. The scent of incense and flowers permeated the air. All St. Simeon’s needed was some red-velvet seat cushions and gilded cherubs on the ceiling and it could have been easily transformed into the sensuous lair of an opera house or, perhaps, a bordello. Sundays at St. Simeon’s was a respite from the rest of my grandmother’s life.
Her days in the textile mill encompassed her like the full spectrum of shadow falling from a sundial. The morning light filtering through the small windows of the dark mill would have been diffuse. Her hair would have been tied back into a bun as the light fell around her. She would have bent over the heddles that kept the warp lines in place as she threaded the machine. The colors on the ottoman— rust red, dusty blue, olive green, black—would have filled the spindles that unraveled furiously into the automated looms as her hands kept pace. When the morning light turned into afternoon and the heat rose in rivulets of sweat dripping from her skin, my grandmother would have reminded herself that she was lucky to have found a job. The soup lines were getting longer. The unemployed and the homeless were marching in the streets. Even if my grandmother didn’t know anyone who committed suicide, she would have read the listings in the daily papers.
I wondered what it was like for my grandmother, a woman with dreams and aspirations, a woman whose life dictated that her only option was to work in a mill or to clean someone else’s house, which was what she did after she left the mill. Did her dreams keep her going through the tedium of her life? Or did knowing that her dreams would never come true make her life close to unbearable? And if her life was unbearable, what kept her going? Did the thought of her girls having better lives make it all worthwhile?
When my grandmother worked at the textile mill, she was a woman who was no longer young but not yet old. She still had her girlhood daydreams as an escape from the pure tedium of her life. At the same time, the features of her face would have been hardening themselves into the lines of her future. Her lips may have opened easily in laughter, but they were on their way to becoming a stitch in the center of her face.
My mother told me that when she was a girl my grandmother would tell her stories about her own childhood when she and her cousin took bit parts in the People’s Theater, the local community theater.
My grandmother’s memories would have swirled through her mind as she stood sweltering in the textile mill, reloading the spools that needed to be filled faster than her fingers could go. Her back might have been aching and her fingertips numb—she might have been wondering how she could afford to pay the rent—but in her dreams she was stately as a queen as she stood center stage. Her imagined green chiffon dress was a waterfall cascading down her. A diamond tiara sat on her head, sparks of light reflected in Romeo’s eyes.
Sitting in the living room with my mother, I could hear the distant applause, replaced suddenly by the din of the mill. The noise of the loom, the thud, the thwack, entwined with a ceaseless rhythmic tramp—the tread of hundreds and thousands marching through history.
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Namaste